[identity profile] chezghost.livejournal.com posting in [community profile] poptimists
'Not heard it' is one of the more common comments read when the Top 40 polls are posted. Which is perhaps the most unsatisfying answer that can be given. Lots of people can say they've heard every single in the Top 40, provided they'd listened to JK & Joel that particular week. Although they may not necessarily remember all of them the next day...

But, if you 'haven't heard it', bloody why not?! I personally stopped listening to the Top 40 countdown in full around the same time as I started University - some ten years ago now. As you grow up it seems life gets more and more in the way, preventing you from having the same ease of control you may have previously enjoyed when it comes to making choices as a young viewer or listener. So far so obvious, and it seems this is the real reason why the Poptimists electorate are often at a loss to decide whether a recent Top 40 hit is good or bad based on how it sounds. There are other factors too such as the nature in which media has changed since then - dedicated music video channels, t'internet (esp. portals/filters/resources such as youtube and itunes) and downloading facilities...all things intended to make the pursuit of hearing music easier. But, it's not really working that well is it? At least, not for 'people old enough to know better' who seem to be ageing faster than the technology is progressing, and that's pretty terrifyingly fast. It's all too much. But, really, aren't these just excuses? Is this sort of reasoning good enough? Should we take it as a given that the charts are reasonably constant in terms of quality (regardless of the ebb and flow of sales figures)? Should a Poptimist be putting more effort in? It's not meant to be a chore after all.

I'm interested in any serious views people may have about the whole thing, so the question(s) be as follows:

What is your current attitude to pop (however you define it) and new music? Are you keen to hear as much of it as you can or do you prefer to revel in nostalgia (or perhaps some healthy balance of both)? Where do you turn to, specifically, now to find out about new music anyway? If you DO know every song in the top 40 any given week does this just make you a Chart Geek rather than a Pop Lover now? Do you even care about music or are you just one of those disgusting poll-fetishists I've heard about?

EH?

Narrow playlists

Date: 2006-05-31 01:39 pm (UTC)
From: [identity profile] lockedintheatti.livejournal.com
On TV in particular, the increase in number of music channels makes it harder to keep up to date - they all have a narrow genre-focus and hence a much smaller playlist, so you'd need to constantly flick between all of them to keep up to date, whereas in the days of The Box vs MTV you could get to hear most songs that way.

Radio stations don't have huge playlists either so unless you listen lots you'll miss out too.

Plus - the interwebs have made it much easier to listen to all kinds of new music from all over the world, much of which never gets anywhere near the chart. Thanks to that I feel like I'm in the rather off position of listening to more new music now than I ever have done in my life and yet still end up knowing less of the chart than ever - and it's not that my tastes are significantly less pop, just that UK chart pop is a decreasing proportion of the total pop I get to hear.

Re: Narrow playlists

Date: 2006-05-31 02:14 pm (UTC)
From: [identity profile] lockedintheatti.livejournal.com
I wonder if the charts will eventually start to catch up though - in the olden days we were restrained as to what we could buy by what was available on physical release, whereas with legal downloads a lot of foreign or more obscure pop is available to anyone even in the smallest town via iTunes.

So potentially as more people find out about a broader range of stuff online, they will find it easier to purchase then would have been the case before. One case in point is the Marit Larsen album that has been raved about in a number of online places; as far as I can see it's only had a physical release in Norway & scandinavia, and yet iTunes UK has it.

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