[identity profile] piratemoggy.livejournal.com posting in [community profile] poptimists
Having just remembered Kat's away, I shall do my part for ensuring our workplace is primarily used for creating polls-

[Poll #1442013]

Date: 2009-08-10 10:37 am (UTC)
From: [identity profile] freakytigger.livejournal.com
I went to listen to the Tinchy and it sounded fine but I can't remember anything about it, other than that Amelle FTS has a nice voice and Tinchy Stryder doesn't really. Better than "Number One" which has shrunk on me something drastic.

Tinchy

Date: 2009-08-10 10:43 am (UTC)
From: [identity profile] alexmacpherson.livejournal.com
One day I will actually get people to listen to his excellent older tracks that I posted here (http://community.livejournal.com/poptimists/660550.html) when he first started getting hits with this APPALLING, CHEESY, TREBLY ELECTROSHIT direction.

I AM BOYCOTTING YR POLL

Date: 2009-08-10 11:51 am (UTC)
From: [identity profile] jeff-worrell.livejournal.com
Please delete thread and start again.

The only decent New Entry is missing!*

*i.e. "Funhouse"
koganbot: (Default)
From: [personal profile] koganbot
Three out of three ticks, which may be a first for Yet Another Year, though this isn't cause for wild celebration, and I like the so far uncommented-upon Ian Carey best of the three:

Tinchy Stryder f. Amelle Berrabah "Never Leave You": Quite pleased with the peppiness and poppiness of the nonstop background tune but it's not showing Tinchy or Amelle to good advantage. This is good enough for a tick but I wish they'd found an arrangement that gave rapper and singer some space. TICK.

Ian Carey Project "Get Shaky": Fast rhythm, strong guitar, the singing is effectively - what's the word for it - tremulous. A girl, an ache, and a beat: Music! TICK.

Girls Can't Catch "Keep Your Head Up": The woman's deep voice is powerful, juxtaposed with the bass throb; the chorus takes me by surprise, gets showy, pulls an attention-getting chord shift. The track is way too undifferentiated from here on, all rev-it-up, but that odd chord change hooks me every time, even if overall this track doesn't come close to the rough promise of its opening. TICK.

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