No Spoilers

Jan. 9th, 2006 12:04 pm
[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists
One reason I don't read music reviews much: if there's something really good in a record - a lyric or moment or inflection or bit of 'punctum', whatever you like - it's tempting as a reviewer to write about that. (Right?)

But then doesn't that moment lose its impact for the person who listens having read? Or - worse maybe - gets too much emphasis or impact?

Should reviews come with spoiler warnings? Should reviewers avoid quoting particularly great lines? How do you feel when a particularly good writer infiltrates your hearing of a song?

Date: 2006-01-09 12:55 pm (UTC)
From: [identity profile] thenipper.livejournal.com
Only partially relevant - in the sense that critical highlighting could be classified as metadata - but have you read this (http://www.cityofsound.com/blog/2006/01/new_musical_exp.html) lengthy, slightly fusty, but worthwhile essay on technology and music?

Date: 2006-01-09 12:58 pm (UTC)
From: [identity profile] dubdobdee.livejournal.com
oh bah i really MUST finish my ahem chef d'oeuvre (then ppl will cite me and not eisenberg) (or possibly not)

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