"Thanks to everyone for their submissions. The headline news is as follows: st least three teams went down in defeat, three teams played well but found our defense well- prepared. The other five of you, well, we'll see how the ref calls them...
01. Basshunter - "Boten Anna". Completely incomprehensible language, which has kept me concentrating several times to try and figure it out. I reallly like the sonics on this. The "ready for takeoff" line and instrumental break reminds me of 1999, when I kept finding myself at the hot spot of the winter in Kyiv, the "Al Capone" disco, constantly unable to decide whether I was more disturbed by the fact that there were 17-year-olds all over the place, or because it was always really exciting when a Scooter song came on. At first I thought this was
02. Head Automatica - "Beating Heart Baby": Hmm... a rocker. You seem to have discerned my true inner self. Damn. Yeah, it's okay, I guess. The vocalist seems to feel that *yowling*. is necessary to communicate emotion or excitement, or perhaps the guitarist is cuter and he's trying to get the girls in the front to look at him again. I guess I like this -- it's got the double lead vocals in places (thank you) -- and I think it'll probably get some pretty good rotation this summer, but unless this band has a couple more equally good singles, there's not much in this for the ages. I listened to that Dandy Warhols song a lot for a year or so, too, you know what I mean? Eighth place, somehow. - LOSE - defeat ends frustrating season for
03. Maxi, Dick and Twink - "Things You Hear About Me": Argh - a jaunty girl group. This is really unpleasant. Is it over soon? Tenth place - LOSE -
04. High Contrast - "Twilight's Last Gleaming": Funk - oh no not really. D&B drum pattern. Spacey piano. Martha Wash-y vocals. Probably a winner on "elements," although the "song" is so-so. I find the drums aggressive (a little too loud in the mix?) I wish this one went on longer. Narrowly loses to Track 1 - sorry, friend. Sixth place - WIN - relegation heartbreak for
05. Pointer Sisters - "How Long (Betcha Got A Chick On The Side)": *Real* funk, this time. Isaac Hayes strings. This is some classic 70s stuff, and I don't know it. Easily my favorite track so far. ... Man, this vamping is going on a long time -- maybe that's all there is? Oh, ok, now we're starting. Not crazy about the lead vocal line, but I like the interplay lot. En Vogue 15 years ahead of their time. Can someone get the lex to listen to this, please? Much better than "Umbrella." Third place - WIN - slick win lets
06. Lucky Soul - "Add Your Light To Mine, Baby": I very much approve of your strategy, sir/ma'am. I love those northern soul-y horns (and there's a key change, too!) -- I don't think I said anything in particular to clue you in, but maybe you picked up on the Etienne Daho submission from a few weeks ago, which has a somewhat similar sensibility. i am a total sucker for this stuff, and for the first 15 seconds this was pure joy for me. The lead singer's voice is a bit twee for me, which is the only real downside, otherwise I find it hard to imagine that this wouldn't make anyone smile. Fourth place - WIN -
07. Aly And AJ - "Rush": I don't know if I explained myself well, or it's just that this is just the same song as "4ever." But I love whatever it is that's going in the vocals in this song. Unfortunately
08. Yes - "Tempus Fugit": Steve Howe, Chris Square, and Trevor Horn - how could this be anything but a winner? Lots of interesting riffs and sounds, plus a melody and relatively concise structure (well, for this band). I'm assuming this was
09. Dyke And The Blazers - "Wrong House": Look, (martin?) the honest truth is that although these guys are definitely earning their money, this is the kind of blues/soul that I will almost never listen to all the way through... certainly not for 10 minutes! (In fact I had to force myself to do it this time -- the best part is the last minute!) I am fond of telling people that jazz and football are more fun to play than watch, and I kind of feel the same thing here. Which is not to say I don't have a reasonable amount of this that I put on in the background on lazy weekend afternoons if I'm say, cleaning house. But "Compared to What" has that great piano riff and a chorus. Ninth place, and it deserves a LOSE in my book. -
10. Prolapse - "Visa For Violet And Van": Moggy, moggy, moggy. Don't you like music with melodies? (Oops, sorry if it's not actually yours.) There are some interesting aspects to this -- the build-up: drums, then the bass riff, and then the angry guitar doubling it. I understand for drone to work you've got to go on for a while, but this doesn't really take me anywhere. What's the chanting about? Why is the other guy trying to sneer his vocals like John Lydon? Maybe not actually as odious as track 3, but they're both going into the "don't play again" folder, so what's the diff? Eleventieth place. LOSE -
11. Kim Weston – “Take Me In Your Arms (Rock Me A Little While)”: Does he know the original or not? Yes, I do. I prefer the Doobie Brothers' version of "Take Me in Your Arms," but like any good music obsessive I also had to a) check out the original version and b) do a reasonable job of exploring Motown history. The Doobies' version is just more joyful, frankly, plus the production values are more "modern." I just hear the room too much in this version. Seventh place, so I'm compounding injury with insult for Kim Weston, because I think that's a LOSE and not even a DRAW. Nope, it's a draw - Ed.) - stalemate keeps title out of
Reveals at half-one-ish, I think, but maybe later.
HA
Date: 2007-05-22 05:07 pm (UTC)