[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists
[livejournal.com profile] blue_russian hands out the final scores. Who's won? Let's find out:

"Thanks to everyone for their submissions. The headline news is as follows: st least three teams went down in defeat, three teams played well but found our defense well- prepared. The other five of you, well, we'll see how the ref calls them...

01. Basshunter - "Boten Anna". Completely incomprehensible language, which has kept me concentrating several times to try and figure it out. I reallly like the sonics on this. The "ready for takeoff" line and instrumental break reminds me of 1999, when I kept finding myself at the hot spot of the winter in Kyiv, the "Al Capone" disco, constantly unable to decide whether I was more disturbed by the fact that there were 17-year-olds all over the place, or because it was always really exciting when a Scooter song came on. At first I thought this was [livejournal.com profile] byebyepride's track, but the language thing makes me think it's [livejournal.com profile] lockedintheattic's, for some reason. Fifth place, for a WIN I hope. (Yes - Ed.) - [livejournal.com profile] byebyepride saved from relegation by scrappy win.

02. Head Automatica - "Beating Heart Baby": Hmm... a rocker. You seem to have discerned my true inner self. Damn. Yeah, it's okay, I guess. The vocalist seems to feel that *yowling*. is necessary to communicate emotion or excitement, or perhaps the guitarist is cuter and he's trying to get the girls in the front to look at him again. I guess I like this -- it's got the double lead vocals in places (thank you) -- and I think it'll probably get some pretty good rotation this summer, but unless this band has a couple more equally good singles, there's not much in this for the ages. I listened to that Dandy Warhols song a lot for a year or so, too, you know what I mean? Eighth place, somehow. - LOSE - defeat ends frustrating season for [livejournal.com profile] poptasticuk

03. Maxi, Dick and Twink - "Things You Hear About Me": Argh - a jaunty girl group. This is really unpleasant. Is it over soon? Tenth place - LOSE - [livejournal.com profile] lockedintheatti's side soundly beaten.

04. High Contrast - "Twilight's Last Gleaming": Funk - oh no not really. D&B drum pattern. Spacey piano. Martha Wash-y vocals. Probably a winner on "elements," although the "song" is so-so. I find the drums aggressive (a little too loud in the mix?) I wish this one went on longer. Narrowly loses to Track 1 - sorry, friend. Sixth place - WIN - relegation heartbreak for [livejournal.com profile] piratemoggy: results elsewhere mean win is not enough.

05. Pointer Sisters - "How Long (Betcha Got A Chick On The Side)": *Real* funk, this time. Isaac Hayes strings. This is some classic 70s stuff, and I don't know it. Easily my favorite track so far. ... Man, this vamping is going on a long time -- maybe that's all there is? Oh, ok, now we're starting. Not crazy about the lead vocal line, but I like the interplay lot. En Vogue 15 years ahead of their time. Can someone get the lex to listen to this, please? Much better than "Umbrella." Third place - WIN - slick win lets [livejournal.com profile] epicharmus end season on a high note.

06. Lucky Soul - "Add Your Light To Mine, Baby": I very much approve of your strategy, sir/ma'am. I love those northern soul-y horns (and there's a key change, too!) -- I don't think I said anything in particular to clue you in, but maybe you picked up on the Etienne Daho submission from a few weeks ago, which has a somewhat similar sensibility. i am a total sucker for this stuff, and for the first 15 seconds this was pure joy for me. The lead singer's voice is a bit twee for me, which is the only real downside, otherwise I find it hard to imagine that this wouldn't make anyone smile. Fourth place - WIN - [livejournal.com profile] infov0re delights fans with end-of-season win.

07. Aly And AJ - "Rush": I don't know if I explained myself well, or it's just that this is just the same song as "4ever." But I love whatever it is that's going in the vocals in this song. Unfortunately [livejournal.com profile] koganbot has mentioned Aly & AJ enough over the years that I had to at least check them out, so I know this, even if I won't listen to them on principle. (Lord save us from eighteen-year-olds who believe in creationism.) By the end the song is a little same-y, but overall v. v. good. "Rush" gets second place but a DRAW - youthful strikeforce come good for champion [livejournal.com profile] koganbot (even though they didn't win).

08. Yes - "Tempus Fugit": Steve Howe, Chris Square, and Trevor Horn - how could this be anything but a winner? Lots of interesting riffs and sounds, plus a melody and relatively concise structure (well, for this band). I'm assuming this was [livejournal.com profile] jeff_worrell's track, and it was also a good call: I still listen to this album, occasionally. Unfortunately I knew this one, too, from the first chord: "Tempus Fugit" by Yes. First place - DRAW. - thrilling draw means [livejournal.com profile] jeff_worrell must rely on play-offs for honours.

09. Dyke And The Blazers - "Wrong House": Look, (martin?) the honest truth is that although these guys are definitely earning their money, this is the kind of blues/soul that I will almost never listen to all the way through... certainly not for 10 minutes! (In fact I had to force myself to do it this time -- the best part is the last minute!) I am fond of telling people that jazz and football are more fun to play than watch, and I kind of feel the same thing here. Which is not to say I don't have a reasonable amount of this that I put on in the background on lazy weekend afternoons if I'm say, cleaning house. But "Compared to What" has that great piano riff and a chorus. Ninth place, and it deserves a LOSE in my book. - [livejournal.com profile] martinskidmore fails to go out with a bang.

10. Prolapse - "Visa For Violet And Van": Moggy, moggy, moggy. Don't you like music with melodies? (Oops, sorry if it's not actually yours.) There are some interesting aspects to this -- the build-up: drums, then the bass riff, and then the angry guitar doubling it. I understand for drone to work you've got to go on for a while, but this doesn't really take me anywhere. What's the chanting about? Why is the other guy trying to sneer his vocals like John Lydon? Maybe not actually as odious as track 3, but they're both going into the "don't play again" folder, so what's the diff? Eleventieth place. LOSE - [livejournal.com profile] skillextric thumped with nothing to play for.

11. Kim Weston – “Take Me In Your Arms (Rock Me A Little While)”: Does he know the original or not? Yes, I do. I prefer the Doobie Brothers' version of "Take Me in Your Arms," but like any good music obsessive I also had to a) check out the original version and b) do a reasonable job of exploring Motown history. The Doobies' version is just more joyful, frankly, plus the production values are more "modern." I just hear the room too much in this version. Seventh place, so I'm compounding injury with insult for Kim Weston, because I think that's a LOSE and not even a DRAW. Nope, it's a draw - Ed.) - stalemate keeps title out of [livejournal.com profile] lisa_go_blind's grip.

Reveals at half-one-ish, I think, but maybe later.

Date: 2007-05-22 01:36 pm (UTC)
From: [identity profile] umlauts.livejournal.com
I am distraught that someone, ANYONE, considers "Beating Heart Baby" a loss.
But thrilled to have poptimists' first mention of the GENIUS that is Lucky Soul - SEARCH "My Darling, Anything" IMMEDIATELY.

Date: 2007-05-22 01:40 pm (UTC)
From: [identity profile] infov0re.livejournal.com
Thankyouverymuch!

Caught them live at HDIF Presents like, last week, and just fell in love straight away. Went out the next day and picked up the album and it's very, very, very, very good if you like that whole gentle sixties' pop thing. Felt it would make a difference from two weeks of EMO on the trot. Alas, didn't do much for me in the Koganleague...

Also, they're insanely hott as bands go.

Date: 2007-05-22 01:44 pm (UTC)
From: [identity profile] umlauts.livejournal.com
Yeah, it's a great little record, isn't it? I'd have preferred to have "Give Me Love" over one of the weaker album tracks (though I can't think which I'd take off) and her voice DOES get a bit screechy occasionally but the songs are generally very good.

"Lips Are Unhappy" was just... BANG... perfect when I first heard it. A few people really were hoping "Add Your Light" would be 2007's "Pull Shapes". Alas.

Date: 2007-05-22 02:28 pm (UTC)
From: [identity profile] alexmacpherson.livejournal.com
I've never understood why you and Abby and Jessica loved them at all in the first place. The thing isn't even that catchy.

Date: 2007-05-22 11:39 pm (UTC)
From: [identity profile] umlauts.livejournal.com
Not catchy? Oh dear god, Lex, what are you smoking? The pitch-shifted backing vocals drilled into my head on the first listen, and that completely unthinking riff in the chorus is BEST FUN EVER to air guitar too while banging your head.

Yes, I do this. And have done it repeatedly. I'm still not sure if it really was my favourite single of 2005 but it had my highest play count of anything so that was that.

HA

Date: 2007-05-22 05:07 pm (UTC)
From: [identity profile] blue-russian.livejournal.com
As I said, my guess is that the song will actually get a lot of play from me and if we'd rated in, say, two weeks it would probably empirically be a big win. But that vocal tick *really* bugs me - which is saying something considering all the bad singers I listen to. And imagine my surprise when my visions of the smarmy singer proved totally true upon watching the video!

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