Folkwrongica
May. 4th, 2007 10:22 amI got absorbed enough in this Guardian piece to miss my tube stop:
http://music.guardian.co.uk/folk/story/0,,2071468,00.html
A lot of its anecdotal material is good and I can't much disagree with the central argument (tho as they admit Tosches summarises it more neatly) but I didn't like the conclusion - even as a staunch poptimist "the inherent democracy of pop junk" is a MASSIVE handwave.
http://music.guardian.co.uk/folk/story/0,,2071468,00.html
A lot of its anecdotal material is good and I can't much disagree with the central argument (tho as they admit Tosches summarises it more neatly) but I didn't like the conclusion - even as a staunch poptimist "the inherent democracy of pop junk" is a MASSIVE handwave.
no subject
Date: 2007-05-04 09:41 am (UTC)having said that, i'm still not sure that teenage boys playing green day/wasis/american pie etc on an acoustical gtr in back bedrooms at parties counts as folk, but i'm having trouble articulating why...
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Date: 2007-05-04 09:48 am (UTC)Not sure about Sharp, but Lomax's name has definitely been back in currency since the O Brother explosion of interest in old-timey stuff.
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Date: 2007-05-04 09:49 am (UTC)no subject
Date: 2007-05-04 09:53 am (UTC)(Actually of course the Lomax revival started at least slightly earlier, when Moby released Play)
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Date: 2007-05-04 09:53 am (UTC)no subject
Date: 2007-05-04 10:03 am (UTC)i suppose (he says typing whilst thinking) that because these songs were not originally heard (composed?) as acoustical renditions that's why they don't "count", BUT is acousticalness a defining part of folk-as-genre?
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Date: 2007-05-04 10:24 am (UTC)no subject
Date: 2007-05-04 10:32 am (UTC)