[identity profile] katstevens.livejournal.com posting in [community profile] poptimists


DIANA FACTS:
  • Her middle name is 'Ernestine'.
  • She used to sh4g Gene Simmons out of KISS.
  • She once served a two-day jail sentence.
  • She is actually a MERMAID hence the fishtail dresses.

    The original diva (if you don't count Marie Antoinette) made sure she had a separate credit on pretty much every song she appeared on for maximum importance. As such, I have only included singles where Diana is named separately. I nearly made this a smaller, Supremes-only poll, but the whole point of canonizing is to weed the wheat from the chaff, and there's certainly a lot of chaff down here. EIGHTEEN ticks? Ndoobedoobedoo!

    [Poll #879379]
  • PUB QUIZ MOTOWN CURSE

    Date: 2006-12-01 12:14 pm (UTC)
    From: [identity profile] awesomewells.livejournal.com
    This Diana canon epitomises the curse in that I'm sure LOADS of these are songs that everyone knows without being able to put a name to them. I sat there blankly looking at the list going "I'm SURE I know and like all of these but I've no idea how they go right now".

    There are moments in my life when I think Can't Hurry Love is the greatest pop song ever written. Like wandering out of Carl Craig at The End last Saturday to hear it being played, anachronistically, in the other room.

    Re: PUB QUIZ MOTOWN CURSE

    Date: 2006-12-01 12:25 pm (UTC)
    From: [identity profile] alexmacpherson.livejournal.com
    This happened?????!!!!!!!

    The Supremes pick-only-three was MUCH harder than the Solo Diana try-to-remember-18.

    Re: PUB QUIZ MOTOWN CURSE

    Date: 2006-12-01 02:41 pm (UTC)
    From: [identity profile] nicolars.livejournal.com
    Yes, it was very difficult.

    Re: Chain Reaction

    Date: 2006-12-01 02:47 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    I don't remember "Chain Reaction," but the Easybeats' "Friday On My Mind" holds the record for Hit Single With The Most Chord Changes (if not key changes - to tell you the truth, I'm not always sure what counts as a key change).

    [apologies if this is a double-post: live journal is glitching on me today]

    causality re-established

    Date: 2006-12-01 01:03 pm (UTC)
    From: [identity profile] dubdobdee.livejournal.com
    She used to sh4g Gene Simmons out of KISS
    AND AS A RESULT
    she once served a two-day jail sentence

    My Old Piano

    Date: 2006-12-01 01:27 pm (UTC)
    From: [identity profile] blue-russian.livejournal.com
    I strongly urge all of you who ticked "I'm Coming Out" and "Upside Down" to seek this out, because if you'd heard this, you'd clearly like it. Not a world-beater like the other two, but much better than the title would suggest. I would upload it now if I were home.

    Date: 2006-12-01 01:29 pm (UTC)
    From: [identity profile] martinskidmore.livejournal.com
    I found 24 that I HAD to vote for on my first run through, and resented having to trim it to 18.

    UK vs US

    Date: 2006-12-01 01:31 pm (UTC)
    From: [identity profile] blue-russian.livejournal.com
    "Forever Came Today"
    "Some Things You Never Get Used To"
    "I'm Livin' In Shame"
    "No Matter What Sign You Are"

    All of these songs are missing/have been lost from the Supremes canon in the US (also to a lesser extent, "The Happening," which may be my favorite little known classic).

    Re: UK vs US

    Date: 2006-12-01 02:05 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    "Forever Came Today" is in the U.S. canon, I think - at least it's on the greatest hits Supremes two-fer I bought in the Seventies (which I realize is some time ago). [Also, the fact that something once went top 20 in Britain doesn't mean it's still in the Brit canon]. But the first three of those are great songs, the fourth I've not heard (which perhaps means it's really not in the canon).]

    Re: UK vs US

    Date: 2006-12-01 02:40 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    Well, since I'm the only one who's ticked it so far, maybe "Forever Came Today" isn't in either canon, Brit or U.S.

    Re: UK vs US

    Date: 2006-12-01 03:24 pm (UTC)
    From: [identity profile] blue-russian.livejournal.com
    Using "canon" very loosely. I really don't think I've heard any of those songs, which means that they are neither on my (single-disc) Supremes best of) nor my Motown singles boxes (neither of which are completist, like the Stax-Volt ones).

    Upside Down

    Date: 2006-12-01 02:22 pm (UTC)
    From: [identity profile] justfanoe.livejournal.com
    Let's talk about "Upside Down". Is this one of the greatest pop songs of the 80's? Yes, yes it is. I also like Alcazar's appropriation of it for "This Is The World We Live In".

    Re: Upside Down

    Date: 2006-12-01 02:50 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    Great record, though I find her voice on it somewhat too adult-singing-like-a-little-girl. Interesting that she never sounded girly as a teenager with the Supremes, only as an adult.

    Date: 2006-12-01 02:38 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    Amazed how many I don't recall by name, though in some ways this isn't surprising since I managed not to know a good deal of the Seventies Top 40, being alienated from the culture and all. But as I said in the box question, I have a very strange nonreaction to/nonopinion of Diana Ross, given her diva-dom and given the fact that I put FOUR of her songs in the all-time Top 100 I did for Radio On in '92 (I'd put an upper limit of three per artist for everyone but James Brown, but she counted twice for the Supremes and for herself). I love some of her music while not caring one way or another that she's the one who's doing it. So I'm not hearing her music as part of her story (even though of course it is). Maybe if I'd ticked "It's My Turn" I'd feel differently.

    Anyway, the four that made my all-time hundred are "Where Did Our Love Go," "You Keep Me Hangin' On," "Love Hangover," and "Swept Away" - the last of which is a great great great Arthur Baker production, extremely sexy but also an intense everything breaking loose dance rave-up, the sort of thing Baker did a couple of times with his wife Tina B and that Lewis Martinée specialized in with Exposé and Sequel. Which is to say that I'd probably like the track just as much with any old disco backup singer standing forth and singing lead (which isn't to say that Diana doesn't do a fine job but that it's just irrelevant to me that she's the one doing it). "Love Hangover" is as anonymous to me as "Ring My Bell" - anonymous in the good sense, meaning that what I'm hearing in the song is Diana Singing the sound of all those yearning back-up singers and one-off girls and scenesters and hos on Sunset that Donna Summer sang about.

    As for her peaking with Chic, I don't agree (Rodgers and Edwards are slightly overrated, though I like them quite well). Of my four top tracks, two are written and produced by Holland Dozier Holland, "Love Hangover" is written by Pam Sawyer and Marilyn McLeod and produced by Hal Davis, "Swept Away" is by Arthur Baker. My next favorite solo track, "Ain't No Mountain High Enough," is written and produced by Ashford & Simpson.

    It Doesn't Matter 'Cause Nothing Lasts Forever

    Date: 2006-12-01 03:07 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    Here's the "Swept Away" vid on YouTube, though the sound dub is atrocious.

    bom bom bom, bom-bom b-bom bom

    Date: 2006-12-01 02:57 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    Off the top of my head - best songs to copy the rhythm from "Can't Hurry Love":

    (1) A Martha & the Vandellas track whose name is escaping me.
    (2) Rolling Stones "Sympathy for the Devil."
    (3) Iggy Pop "Lust for Life"

    There may be scores that are better than those three, but my mind is a blank today. Next History of Jop will have one of the worst ever, though: Jet's "Are You Gonna Be My Girl."

    Get Out Of My Life Why Don't You Babe

    Date: 2006-12-01 03:28 pm (UTC)
    koganbot: (Default)
    From: [personal profile] koganbot
    The part in "You Keep Me Hangin' On" where she sings "Get out of my life where don't you babe" sounds SO much like hundreds of freestyle songs that are to come along in the Eighties, all those freestyle singers diving into the ripe mournfulness of that melody.

    Date: 2006-12-01 06:28 pm (UTC)
    From: [identity profile] getbacknow.livejournal.com
    I've never understood how her version of Ain't No Mountain High Enough was so successful. I think it's terrible, especially when compared to the Marvin/Tammi version.

    And the unsung Supremes song that wasn't in the bonus section is "Love Is Like an Itching In My Heart". Terrible title, but an amazing track.

    Date: 2006-12-01 11:11 pm (UTC)
    From: [identity profile] miss-newham.livejournal.com
    'Remember me' is awesome! It helped me through a bad time! Therefore Diana Ross can wear as many gold dresses as she likes.

    December 2014

    S M T W T F S
     123456
    78 910111213
    14151617181920
    21222324252627
    28293031   

    Most Popular Tags

    Style Credit

    Expand Cut Tags

    No cut tags
    Page generated Jan. 29th, 2026 07:21 pm
    Powered by Dreamwidth Studios