morrissey = the new david byrne

[dubdobdee.livejournal.com]

ok usually when i do this kind of thing i frame the question fast and badly (or i wd never frame it at all) and koganbot becomes testy towards my fuzziness

but here is MY "explanation" of morrissey = he brought something to the boywing of britrock = called CAMP -- as in polari, as in an angry bitchy code against the UNSTYLISH USELESSNESS of the STRAIGHTS -- except that, since he wz militantly coy abt his sexuality (korrektly, as "coming out" would have stripped a powerful ambiguity out of what he wz doin), his camp was developed as a kind of MALE HET camp...

ANYWAY -- i have always bin ambivalent abt camp as an attitude (it's quickwitted and funny but it's also a compensatory attitude adopted by those who take themselves to be victims and are sniping secretly back...)

and given the shifts since the mid-80s in fashions in sexuality and within sexuality blah blah, i think morrissey's STYLE (sex! yes! but not for me...) reveals itself as a lot more reactionary a-and larkinesque than it did at the time

(again i feel i have not got at the nubbin of what i'm on about but have at it anyway)

Comments

[anatol-merklich.livejournal.com]

Re "really really weird ear for melodies": Yes! And tied in with this:

-- Occasionally really really weird phrasing, e.g. rushing a load of syllables faster than necessary and then filling out with la-di-da or something;

-- Frequent repetition of lines, but with small variations -- I believe this has a particular effect even if one doesn't really follow the lyrics closely, ie it works as variations in sound.