The PSB one is (I thought) an EP - and while "Snow" itself isn't up to much it does also have a good Coldplay cover and "All Over The World", the best track from 'Yes', on it. So ticky.
That George Michael thing is the one he did on X-Factor? That was OK I thought! Maybe I will tick it.
Speaking of X-Factor, I was kind of wondering why "Stop Crying Your Heart Out" seemed to crop up so many times in the selection process (and someone did it on the night) and I guess now I know. One terrible dadrock soul ballad might be seen as unfortunate, but two etc etc
"Broken Heels" is good, one of the two or three best on Alexandra's album.
I really like the George Michael song. It should make it onto my wobs mixtape for this year. While I generally prefer the more upbeat/novelty type of festive ditty, there's always room for at least one more contemplative song, and George has been very good at these since Older I think.
PSBs is 'any good at all', but might fight to make it onto said wobs mixtape. You are correct that it is an EP. But this is the lead song and the one the OCC listed this week.
I'm temporarily setting aside my rule against ticking re-entries, 'cause that would ruin the game today, obviously. So RATM's nontick is on their own merits.
Rage Against The Machine "Killing In The Name": As noise funk w/ shout raps go it's awfully plodding in comparison to Beasties/PE before and Evanescence/Linkin Park since. The shout part almost gets this by, but no cigar, exploding or otherwise. NO TICK.
Joe McElderry "The Climb": The Miley version was much better paced, and with her raw scrapheap of a vocal cord, soaring was never a given - sure, from the first note you knew she was going for the sky, but there's still a musical payoff in getting there, and she had a smart producer who knew better than to give her nothing but a wall of uplift.* She was an easy tick. But, while Joe's voice is reasonably pretty, the arrangement here evens out and smooths his upward path too much. NO TICK.
3Oh!3 "Starstrukk": I keyed right into the anger/disgust/elation of "Don't Trust Me," but this one is too facile in its cynicism. I did underrate it in the Jukebox, but it's still a mess. NO TICK.
George Michael "December Song": Strings too heavy for the piano, and George sounds lost amid both. Melody pulls some surprises; I'd have liked to hear this with just piano and brushes. NO TICK.
Leona Lewis "Stop Crying Your Heart Out": I like the slow repetitiveness at the start - there's potential greatness here - and I really wish they'd just stuck with the low volume and spare arrangement. At least they keep the pace slow and don't totally smother the drama that gave this potential in the first place.** BORDERLINE TICK.
Queen & Muppets "Bohemian Rhapsody": Noisy, not funny. NO TICK.
Alexandra Burke "Broken Heels": I suppose this is referencing the line about Astaire and Rogers, "Sure he was great, but don't forget Ginger Rogers did everything he did backwards . . . and in high heels!"*** Yeah, but he looked better doing it (though she looked good too). RedOne gives this a fast boogie but he needs a GaGa or RiRi to give it personality. BORDERLINE NONTICK.
Pet Shop Boys "It Doesn't Often Snow At Christmas": Knack for melody; the original is pretty in its slight way. This new version loses too much of the prettiness. BORDERLINE NONTICK.
*mixed metaphor, whatever
**I'm listening to the Oasis original right now, and the whiny vocals make it a total hairball.
***I found this attributed to Bob Thaves online, but "online" is a tricky place to verify attributions
no subject
Date: 2009-12-21 01:31 pm (UTC)I admit it, I'm a hopeless sheep.
But he's just such a good singer!
no subject
Date: 2009-12-21 01:37 pm (UTC)That George Michael thing is the one he did on X-Factor? That was OK I thought! Maybe I will tick it.
Speaking of X-Factor, I was kind of wondering why "Stop Crying Your Heart Out" seemed to crop up so many times in the selection process (and someone did it on the night) and I guess now I know. One terrible dadrock soul ballad might be seen as unfortunate, but two etc etc
"Broken Heels" is good, one of the two or three best on Alexandra's album.
3OH!3 ft Katy Perry: fight the real enemy.
no subject
Date: 2009-12-21 01:52 pm (UTC)no subject
Date: 2009-12-21 01:58 pm (UTC)PSBs is 'any good at all', but might fight to make it onto said wobs mixtape. You are correct that it is an EP. But this is the lead song and the one the OCC listed this week.
no subject
Date: 2009-12-21 02:05 pm (UTC)agree with this - only thing on there i liked really (maybe 'Love Etc.' if generous)
no subject
Date: 2009-12-21 02:06 pm (UTC)no subject
Date: 2009-12-21 02:12 pm (UTC)"...perfectly agreeable in a middle-of-the-road kind of way..."
MP3 purchase: http://www.amazon.co.uk/Stop-Crying-Your-Heart-Out/dp/B002B32D2W
no subject
Date: 2009-12-21 02:46 pm (UTC)(and now Katy Perry's on it being all like 'yeah whatever losers' it is just slightly less misogynistic.)
no subject
Date: 2009-12-21 06:31 pm (UTC)poor joe-scuppered by a shit song rly.
no subject
Date: 2009-12-21 06:45 pm (UTC)no subject
Date: 2009-12-21 07:36 pm (UTC)Rage Against The Machine "Killing In The Name": As noise funk w/ shout raps go it's awfully plodding in comparison to Beasties/PE before and Evanescence/Linkin Park since. The shout part almost gets this by, but no cigar, exploding or otherwise. NO TICK.
Joe McElderry "The Climb": The Miley version was much better paced, and with her raw scrapheap of a vocal cord, soaring was never a given - sure, from the first note you knew she was going for the sky, but there's still a musical payoff in getting there, and she had a smart producer who knew better than to give her nothing but a wall of uplift.* She was an easy tick. But, while Joe's voice is reasonably pretty, the arrangement here evens out and smooths his upward path too much. NO TICK.
3Oh!3 "Starstrukk": I keyed right into the anger/disgust/elation of "Don't Trust Me," but this one is too facile in its cynicism. I did underrate it in the Jukebox, but it's still a mess. NO TICK.
George Michael "December Song": Strings too heavy for the piano, and George sounds lost amid both. Melody pulls some surprises; I'd have liked to hear this with just piano and brushes. NO TICK.
Leona Lewis "Stop Crying Your Heart Out": I like the slow repetitiveness at the start - there's potential greatness here - and I really wish they'd just stuck with the low volume and spare arrangement. At least they keep the pace slow and don't totally smother the drama that gave this potential in the first place.** BORDERLINE TICK.
Queen & Muppets "Bohemian Rhapsody": Noisy, not funny. NO TICK.
Alexandra Burke "Broken Heels": I suppose this is referencing the line about Astaire and Rogers, "Sure he was great, but don't forget Ginger Rogers did everything he did backwards . . . and in high heels!"*** Yeah, but he looked better doing it (though she looked good too). RedOne gives this a fast boogie but he needs a GaGa or RiRi to give it personality. BORDERLINE NONTICK.
Pet Shop Boys "It Doesn't Often Snow At Christmas": Knack for melody; the original is pretty in its slight way. This new version loses too much of the prettiness. BORDERLINE NONTICK.
*mixed metaphor, whatever
**I'm listening to the Oasis original right now, and the whiny vocals make it a total hairball.
***I found this attributed to Bob Thaves online, but "online" is a tricky place to verify attributions
no subject
Date: 2009-12-22 04:25 am (UTC)So, what do you have in that space where your heart is supposed to be?
no subject
Date: 2009-12-22 05:11 am (UTC)