I Have Never Heard Entire Albums By These Bands Who Have Excellent Songs On Late '70s/Early '80s European K-Tel-Style Compilations
Do any of them have albums worth hearing? The world wants to know, or at least I do.
The "I" who's saying this is
chuckeddy. He has a feeling some folks on
poptimists might be interested in this and might have input for it too, either there or here. The thread starts with these two compilations, but there are many more lists, contributed by Xhuxk and others, and quite a few YouTube imbeds:
Double Dancing (Record 2) (K-Tel Finland 1983)
GARY LOW "I Want You"
FREEZ "Pop Goes My Love" (have only otherwise heard his/their electro-hop classic "I.O.U." before)
STYLE "Dark Eyes"
BLACK LACE "Superman" (talked dance steps, sounds like an English version of Claudio Chechetto's Italian early '80s "Gioca-Jouer," or maybe the other way around)
CAROLA HĂGGVIST "Hunger"
DAVID GRANT "Love Will Find A Way" (Linx-style early '80s Brit soul I guess?)
― xhuxk, Sunday, 11 January 2009 16:59 (2 days ago) Permalink
Disco Fever (K-Tel U.K. 1977)
BROTHERHOOD OF MAN "Angelo" (Second-tier ABBAs, right?)
MERI WILSON "Telephone Man" (top 20 hit in U.S.!)
SMOKIE "It's Your Life" (superstars in this world, I guess. Lots of hits on lots of these compilations; "Living Next Door To Alice" was their only U.S. top 40)
Do any of them have albums worth hearing? The world wants to know, or at least I do.
The "I" who's saying this is
Double Dancing (Record 2) (K-Tel Finland 1983)
GARY LOW "I Want You"
FREEZ "Pop Goes My Love" (have only otherwise heard his/their electro-hop classic "I.O.U." before)
STYLE "Dark Eyes"
BLACK LACE "Superman" (talked dance steps, sounds like an English version of Claudio Chechetto's Italian early '80s "Gioca-Jouer," or maybe the other way around)
CAROLA HĂGGVIST "Hunger"
DAVID GRANT "Love Will Find A Way" (Linx-style early '80s Brit soul I guess?)
― xhuxk, Sunday, 11 January 2009 16:59 (2 days ago) Permalink
Disco Fever (K-Tel U.K. 1977)
BROTHERHOOD OF MAN "Angelo" (Second-tier ABBAs, right?)
MERI WILSON "Telephone Man" (top 20 hit in U.S.!)
SMOKIE "It's Your Life" (superstars in this world, I guess. Lots of hits on lots of these compilations; "Living Next Door To Alice" was their only U.S. top 40)
Kenny
Date: 2009-01-13 05:03 pm (UTC)They were one of the RAK 'glam pop' (as opposed to glitter rock, before
They made one LP, The Sound Of Super K, which I can't vouch for quality wise. Most of it probably turns up again on the CD, The Singles Collection Plus... (http://www.amazon.co.uk/Singles-Collection-Plus-Kenny/dp/B00004Y2HF/ref=sr_1_1?ie=UTF8&s=music&qid=1231865637&sr=1-1) - this is still in print and I've half a mind to buy this myself.
Re: Kenny
Date: 2009-01-13 05:07 pm (UTC)And also opposed to glam rock, I take it.
Would glam pop be Kenny while glam rock would be Slade and T. Rex and glitter rock would be the Dolls and KISS?
And Bowie would be ?????
taxonomic agony
Date: 2009-01-13 05:11 pm (UTC)duppity dob dee
Date: 2009-01-13 05:12 pm (UTC)thus sweet are glitter, and so would kenny be, despite what RAK claim on the tin
Re: duppity dob dee
Date: 2009-01-13 05:13 pm (UTC)Re: duppity dob dee
Date: 2009-01-13 05:20 pm (UTC)So Gary Glitter would be glam, right? Or is he glitter? (Hard for me to draw a big line between Slade and Sweet.)
Re: duppity dob dee
Date: 2009-01-13 05:28 pm (UTC)slade gave thought to albums as collections of songs; sweet not so much
by this token the runaways probably are glam: tho protopunk (uk timing) is a better bet
joan jett in particular came and hung out with the lesser pistols, rats etc -- and her whole career since is neo-glam metalgum hurrah
Re: duppity dob dee
Date: 2009-01-13 05:38 pm (UTC)But again, they did later in their career, though, right? (At least by the time of *Desolation Boulevard* -- huge at my high school in Michigan by the way, and also a great LP -- if not earlier.)
Re: duppity dob dee
Date: 2009-01-13 05:39 pm (UTC)Earth-toned hippie culture?
Date: 2009-01-13 05:50 pm (UTC)Glam or Glitter? YOU choose!
Date: 2009-01-13 05:53 pm (UTC)Re: duppity dob dee
Date: 2009-01-13 05:36 pm (UTC)Glam/glitter distinction is news to me, too. I always thought they were the same thing. (And right, Sweet and Slade seem like they should be on the SAME side, if anything. Though when Sweet got *less* bubblegum (as in, writing their own songs), does that mean they also got less glitter and more glam?
Now I'm obsessed: Mott the Hoople I guess would be glam, right? And Hello and Smokie...glitter? (I'm not even sure, really, which ones would have been considered bubblegum in the first place. On that ILM thread, somebody explained that Smokie were Chinnichap's explicit attempt at an *album rock* band, but fans just kept only buying their singles anyway!)
the hard distinction is mine (afaik)
Date: 2009-01-13 06:41 pm (UTC)(that said, i quite possibly stole it wholecloth from something i read 20 years previously -- if i did, i donlt remember what it was i read)
anther way to define the axis is in terms of gender-preponderence: as you move from glam to glitter, the proportion of teengirl fans increases (and i'm talking UK only: i don't have any kind of a sense of how this varied in the US): boys (roughly) prefer music in albums-worth
i think (the) slade and (the) sweet started at opposite ends -- not actually AT the ends -- of the continuum, moved towards each other, passed, and continued away from one another: the glam end of the continuum is rooted in mod; the glitter end in songwriting teams putting pop groups together
(so yes, i'm using bubblegum VERY roughly -- i suspect it has a more rigorous meaning in the US)
alvin = glitter
mott = glam essex = hmmm, glam, but yes, he is a bit outside the field in a way (a concept-driven singer-songwriter with theatrical leanings and a teenybopper following -- marcello always good on essex)
gilder = neoglitter (not that i know much about him)?
Re: the hard distinction is mine (afaik)
Date: 2009-01-13 07:31 pm (UTC)Re: the hard distinction is mine (afaik)
Date: 2009-01-13 07:34 pm (UTC)Out on Glam's bubblegum wing, Glitter, half-despised but hugely popular, The Sweet and Slade (once a Wolverhampton skinhead band) combined fag-drag look with consistently brutal lyrical content.
Re: the hard distinction is mine (afaik)
Date: 2009-01-13 07:34 pm (UTC)Re: the hard distinction is mine (afaik)
Date: 2009-01-13 08:31 pm (UTC)or possibly seeing "slade in flame"
while making my supper i was thinking about the sweet -- and desolation boulevard -- as precursors to poison etc: so maybe i shall re-categorise THEM as well (everyone is glam)