Home Rhythm Action Is Killing Music
Jan. 12th, 2009 02:26 pmhttp://www.roughtype.com/archives/2009/01/complete_contro_1.php
Also the PopMatters piece it's linking to.
This article made me a bit cross and I don't even LIKE GH.
Also the PopMatters piece it's linking to.
This article made me a bit cross and I don't even LIKE GH.
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Date: 2009-01-12 02:48 pm (UTC)no subject
Date: 2009-01-12 03:10 pm (UTC)no subject
Date: 2009-01-12 03:16 pm (UTC)no subject
Date: 2009-01-12 03:56 pm (UTC)no subject
Date: 2009-01-12 03:56 pm (UTC)no subject
Date: 2009-01-12 04:00 pm (UTC)Carr seems to be waving his hand at what could potentially be ideas without actually stating any ideas (which of course is a complaint I have about lots of people who are better thinkers than Carr seems to be), thinks his and Elster's and Horning's buzzwords ("diversity," "distraction," "consumerism," "pure merchandise") take care of themselves, somehow, as if those words created an argument all by themselves. Consumerism fosters diversity how? Diversity is tied to distraction how? How does consumerism prevent someone from following through and "getting into the later and more rewarding stage" (as in, e.g., sequels, themes and variations, series, etc.)? Seems to me that Carr does an excellent job of evading getting into a later and more rewarding stage of thinking, the one where you actually form arguments and test them. But the piece wasn't written with the idea of exploring the phenomenon (Guitar Hero or whatever). Carr already knew the outcome of his analysis before he undertook it.
By the way, in my teens in the late '60s "youth" was constantly being berated for its irresponsibility and its penchant for immediate gratification,* which is all Carr's argument is doing, when you strip it of its pseudo-Marxist apparel.
*or conversely was being extolled for its spontaneity and its freedom, depending on whether the adult was projecting his fears or his hopes.
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Date: 2009-01-12 04:27 pm (UTC)Frank OTM :)
Mobile what now?
Date: 2009-01-12 04:28 pm (UTC)no subject
Date: 2009-01-12 05:17 pm (UTC)if you get it right you score points and you need a certain number of points to get to the next verse/bit of the song.
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Date: 2009-01-12 05:45 pm (UTC)LOL at "Marx must have had something to say about this."--this in the middle of his complains about GH and the internet fostering pseudo-mastery.
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Date: 2009-01-12 09:16 pm (UTC)*applause*
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Date: 2009-01-12 09:15 pm (UTC)He continues: "I can’t help but feel that Guitar Hero (much like Twitter) would have been utterly incomprehensible to earlier generations, that it is a symptom of some larger social refusal to embrace difficulty."
Yeah yeah, hand-wringing wank riddled with intellectual pretension. How about, it's a fun thing and people enjoy fun?
Marx must have had something to say about this.
At this point, I was waiting for him to say *what* Marx would have had to say, and then realised that he hadn't actually read enough Marx to know, but just wanted to wave his penis at us a bit.
Speaking of which, Horning quotes the Marxist theorist Jon Elster in explaining the way that trivial, if diverting, pursuits like Guitar Hero provide an easy alternative to the hard work of self-realization:
PLEASURE FOR ITS OWN SAKE IS WRONG. SELF-IMPROVEMENT IS THE ONLY GOAL. Sheesh. Because simple pleasures can't be improving or self-actualising, of course.
Could there maybe be a Poptimists sweepstake about how long it'll be before we see him do a follow-up post about how interactive music games are actually a brilliantly punk tool of deconstruction, and a clever means to use apparent consumerist tactics to undermine conceits of capitalism which attempt to package art as a singular experience owned and performed by a rarified privileged group, by putting the means of production back in the hands blah blah waffle waffle?
I'll take August 12th this year. I've got my fiver ready.
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Date: 2009-01-15 04:15 am (UTC)THINKING IS SNOBBERY IN THIS BRAVE NEW WORLD
Comments now closed in case the cultural proles turn up and spoil our beautiful discourse.