[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists
In yesterday's conversation about Pizzicato Five and pop, Cis drew a kind of distinction between pop which obeys current sonic rules and pop which refuses to (apols if my precis loses a lot of subtlety).

This interested me and got me thinking what the current rules of pop might be - not just in terms of sound, but attitude, look, emotional content, trends, etc.

What characterises late 00s pop? What is happening now which wouldn't or couldn't have happened before? What will allow a kid in ten years time to identify music from now? (in the way that a music fan who had never heard records or seen pictures of Suzi Quatro, or A Flock Of Seagulls, or Ned's Atomic Dustbin might be able to put them in place and time)

Date: 2007-07-31 03:20 pm (UTC)
From: [identity profile] katstevens.livejournal.com
(They were three years apart, dude - The Ones peaked at 7, George at 8)

No worse than Hucknall ripping off The Goodmen in the space of 8 months for 'Fairground'.

Date: 2007-07-31 03:23 pm (UTC)
From: [identity profile] katstevens.livejournal.com
(ok everyhit is working again - it was two years between Give It Up & Fairground, apols)

Date: 2007-07-31 03:26 pm (UTC)
From: (Anonymous)
'Fairground' is a good example of it happening years ago yeah - altho the 'Give It Up' sample is really just a drum loop the Goodmen surely sampled from something else anyway.

Date: 2007-07-31 03:32 pm (UTC)
From: [identity profile] katstevens.livejournal.com
Indeed, it was sampled from 'Fanfarra' by Sergio Mendez. That didn't chart though.

Date: 2007-07-31 05:59 pm (UTC)
From: [identity profile] chezghost.livejournal.com
ooh that was me btw

i want to hear 'Fanfarra' now

Date: 2007-08-01 12:33 pm (UTC)
From: [identity profile] carsmilesteve.livejournal.com
i'd settle for hearing the goodmen, i think i may still have the 12"...

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