Chart Championship Week 9 RESULTS

[freakytigger.livejournal.com]

byebyepride pronounces! (I also have the Pop Prem results - want me to post them after I get back from lunch, or tomorrow?)

"Well like most competitors, I was absolutely thrilled to get the tracks, and amazed by how accurately most people had managed to gauge my taste. Obviously some of my track choices over the competition have been a giveaway, but I suspected my blurb last week wouldn't have been particularly useful. So thanks to everybody, and sorry I couldn't give all your tracks top marks! On first listening I think I liked all of them immediately -- except for one -- although a couple aren't standing up to repeated attention. A few stood out, but the middle and lower grounds were tough to pick apart. Anyway, over to the hotline in the newsroom where the results are coming in…

01. Jans Jelinek - "Lithiummelodie1": This was a great start, atmospheric and moody, building nicely over its six minutes something, and there are some good noises in here. But the rather plodding guitar line started to get on my nerves quite quickly - the melody is rather basic, and reminds me of post-rock bands like Slint and Mogwai, even M83, who seem to mistake playing obvious melodies very loudly and slowly for emotional drama. I have pals who love that sort of thing, but it's a bit of a turn-off for me. I even wondered whether this was an arty remix of some indie thing, but I'm guessing it's in the post-rock/electronica realm. 9th place - LOSE - bright start but epicharmus loses momentum as match progresses.

02. Ivana Brkic – “Njezno, Njeznije”: My notes say 'Eurobosh, yes!' and for instant thrill-power alone this was an obvious winner for me. I love the plinky-plonky noise in the chorus, and some of the metallic-sounding swooshes were ace too. I'm not sure the song reaches the point of absolute lift-off I'd like to see, perhaps because it goes for the traditional instrument infusion when what I fondly imagine to be a balalaika comes in towards the end. Is this Greek? Or from the Balkans? 7th Place - DRAW - some bright moments but lockedintheatti can't find the net.

03. Lindstrom - "Fast And Delirious": Someone ought to be gutted, since the first few turns through the CD this was easily my favourite. I like the re-tooled electro sound, and it feels as if there are a dozen synths improvising together, no people. I also love the way the track seems to mutate several times on the way through, as if the record is evolving rather than simply revolving. However this is pretty distinctive: and I knew I knew this instantly, although it took me a while to place it as Lindstrom's 'Fast and Delirious'. 2nd Place - DRAW - jeff_worrell so unlucky to draw high-scoring match.

04. Future Bible Heroes - "Losing Your Affection": This is a strange one. The backing sounds sounds to me like an almost perfect recreation of an early 80s synth-pop single. One of those really stately OMD B-sides or China Crisis. And the way the slightly bouncier stabs and arpeggios in the chorus respond to the verses is great. But the voice throws me - it sounds like it ought to be Frazier Chorus, something feyer, more indie. Actually I find the voice a bit cloying, lacking in bite: I think I prefer my ladies a bit feistier. And the lyrics are just a little bit too clever, as if someone's sat down to try and rhyme 'vivisection' and 'bloody insurrection' with affection (I even had 'Chumbawumba' in my notes, thinking of their lost synthpop classic 'Someone's Always Telling You How to Behave'). So if I had to put money on it I would say this is retro pastiche/homage rather than vintage. 6th Place - WIN - lisa_go_blind scrapes late winner to keep summit in sight.

05. Lordz Of Brooklyn - "Saturday Nite Fever": Boom! Late 80s (I guess) party-rap, hovering somewhere between beer-fuelled boasting and just revelling in the play of local references and sounds. This is great. Although I consider myself more of a Queens man myself, one of my favourite beers comes from Brooklyn, as do (I assume) The Lordz of Brooklyn (? They don't make much of a secret of it). Feels like the missing link between Licensed to Ill and Cypress Hill. I think this is probably Frank replying to the 2 Live Crew track I played on his home game, in which case his run of hits continues… 5th Place - WIN - koganbot claims close-fought victory to hold on at top.

06. Go Mental - "Died In Your Arms Tonight": Another bust!! This was one of the first mp3s I downloaded when I first got broadband and typed Happy Hardcore into the p2p interface. I was looking for versions of Jane Wiedlin's 'Rush Hour' and then moved onto all the other 80s hits I can find. Now having checked, my mp3 isn't actually labelled with the artist (the interweb suggests Go Mental) but I think this has to count as 'recognised' so sorry to someone. The bad news out of the way, this is still a cracking track - definitely a reworking rather than a remix (there have been several other versions I think), and very similar to the version of 'Like A Dream' I played a couple of weeks ago in that the boshed up chorus from the Cutting Crew original is just pasted into a cacophony of old-school rave sounds. Invigorating, and lots of thrill power! 3rd place - DRAW - martinskidmore gutted by last-minute equaliser.

07. Fall Out Boy - "The Takeover, The Break's Over": Well, this is the only one I didn't like instantly - in fact I went 'what the hell is this' - but even this one's grown on me a little. I figure someone was going for the 'metallic pop' thing in my blurb, or my like of the Ark, but this sounds too much like haircut indie (is that the right phrase, the kids) and not enough like Judas Priest, for me. It certainly sounds very now, so I wouldn't be surprised to find out this had been in the charts this year. The stereo-panning guitar riff is just irritating, although I like the point at which the chords plateau in the chorus (the piano licks there are a bit rub though) and the guitar solo is nicely synthetic-sounding. I'm guessing this is from Jessica, which would prove we are musical matter and anti-matter! 11th place - LOSE - infov0re crashes to heavy loss.

08. The Sharades - "Dumb Head": This sounds like original rather than retro-fashioned girl-group. The farty electronic sounds are great, and I love the 'do-do-do-d-d-d-do' bits. Its probably the most emotional of all the performances, but somehow I can't quite connect with it. At first I mistook the self-recrimination of the singer for plain misogyny, and I wonder if that's what makes me uncomfortable with it - I hear it now as genuine confusion and frustration and self-distrust, but perhaps it just feels a little slight. I reckon this is from Martin - I definitely like it, but not as much as the others, and I don't seem to be able to love it. 10th place - LOSE - skillextric aghast as team throw away precious points.

09. Diskoteka Avariya - "Hardcore Rap": As of a couple of minutes ago, this has just overtaken track 3 in my affections, but only by virtue of the total riot that seems to break out in the chorus. I've no idea what language this is in, and I won't embarrass myself by guessing (one of the Slavic family?), and it sounds like it's been patched together from a million old records, without wearing it's eclecticism as a badge. I realise I haven't tried to describe what it sounds like at all - it's horn-powered, euro-hop, with a swinging, swaggering feel to it, alternately light and dark. I wonder what it means! 1st place - WIN - there'll be dancing in the streets of blue_russian tonight.

10. Kate Havnevik - "New Day": I spent the longest time pondering this one, and realising how hard I find it too judge without even a little bit of context. It could be some arty electronic thing but it could just as easily be a Dido remix. The strings at the start reminded me of one of the moody soundtracks my better half buys from miserable films that have made her sad, but with a swelling optimism in human endurance which comes in with whatever that wind instrument is (I can't even tell if it's supposed to be brass or woodwind). The skittering beats seem a little prissy, but I like the throbbing synth-bass a lot. Then that VOICE!! For some reason the singer really irritates me: it sounds really familiar as well, so I might well kick myself when I discover who this is. The way the structure develops is fine - the glitchy bits from 4.50 are neat, the drums and synths building like a Beloved track or something Balearic (blimey I hadn't thought of Salt Tank for years, did they sound like this?). I'll be keen to see the reveal on this one. 8th place - LOSE - cruel defeat sees piratemoggy in relegation spot.

11. Becca - "You Make Me Feel (More And More)": Oh yes, as promised in the blurb, I'm a total sucker for this sort of thing. It both beeps and boshes, it's far too cheesey to be British sophisto-house so must be Euro. Beyond that - who knows? I hope this is relatively recent, since it feels like this sort of music has been around forever, and will one day be playing out across the ruins of post-holocaust civilization while the insects build a new post-human world. 4th place - WIN - poptasticuk gets tactics spot on for classy win.

I am not exactly awash in Week 10 tracks, so keep them coming!

Comments

Woo-oo!

[blue-russian.livejournal.com]

(I think!) Video to come after the reveal.

Hardcore rap (longform video :)

[blue-russian.livejournal.com]

http://www.youtube.com/watch?v=76njyTeistw

Re: Hardcore rap (longform video :)

[koganbot]

I like this one too. (How literal are they about the word "hardcore"?)

Re: Hardcore rap (longform video :)

[blue-russian.livejournal.com]

LOL. That's not exactly them - it's actually a remix in the "vs." form -- the video pulls elements from about handful of their clips. In the original version of the song, they dress up as dwarves, while the singer plays Snow White (http://www.youtube.com/watch?v=CpACH505Z-s)

Does that answer your question about how serious they are about "hardcore"?