[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists
Here's [livejournal.com profile] lockedintheatti's results - featuring the savage cruelties of the DRAW SYSTEM. Incidentally, there's only 10 tracks - [livejournal.com profile] epicharmus missed deadline so has an automatic lose (sorry Mike!).

"Well, I was very pleasantly surprised by this week's selections - I can genuinely say this is the first time I have ever received a compilation in which I've liked every single track, there were none that I had the urge to skip on repeated listens. Having said that, there was a very, very clear winner, and the second choice was quite an easy pick too. After that that it was a real struggle deciding on the placings, and I could have picked any of the songs from third to sixth position in a different order as I pretty much liked those 4 equally.

01. Antena - "Achilles": The clattering percussion and whooping female voices in the introduction remind me of the start of the Clapping Song by the Belle Stars; when it gets going the sexy synth noises remind me a bit of OMD's Electricity. The half-spoken female voice didn't quite work for me though, and ultimately it just didn't excite me enough for a good placing. 9th Place - LOSE - an off day for [livejournal.com profile] lisa_go_blind.

02. Bass D And King Matthew - "Like A Dream": Happy hardcore has never been my favourite dance genre, although it's been a while since I heard any and the speeded up vocals and tinny synth-piano line certainly raised a smile. What made me like this though was the unexpected appearance of a looped line from Madonna's Like a Prayer halfway through - if you'd described this to me I'd have thought it wouldn't work, but somehow it did. Still, stronger competition keeps this in the bottom half. 8th Place - LOSE - enthusiasm not enough for [livejournal.com profile] byebyepride.

03. Marco Borsato - "Rood": This starts slowly and atmospherically with just piano, strings and voice, and then after about 30 seconds starts to build dramatically with swooping strings that remind me a little of the middle eight of Live and Let Die. As it builds to a climax I can't wait to hear where it's going to go next, but then it drops back down to tease you for just a little longer before the next unexpected turn - a key change and triumphant shift into marvellous euro-pop. The last surprise is the way the strings suddenly turn into a barndance in the middle eight. This is an incredible popsong - uplifting, joyous, life-affirming, majestic, epic - and it makes me grin whenever I hear it. Unfortunately for whoever submitted this, I also know it already - it's Marco Borsato's Rood, and it's one of my favourite songs of last year. I can't imagine a song like this ever being big hit in the UK - it would be derided as far too cheesy - so good on the Dutch for making this number one for 11 weeks last summer. 1st Place - DRAW - freakish result for [livejournal.com profile] skillextric as he batters the opposition but just can't get the goals.

04. Anakhi - "Lok Boliyan": Ooo. Indian rap - this is nice, but a bit overlong and not enough happens. The sample from Cornershop's Brimful of Asha popping up in the middle is nice though. 7th Place - DRAW - [livejournal.com profile] koganbot snatches a lucky point.

05. Hairy Diamond - "Givin Up": Atmospheric, sexy soul. I love her voice, and the really simple backing track - just strings and percussion work really well. I'm sure I've heard this before and will probably kick myself when I find out what this is. 3rd Place - WIN - [livejournal.com profile] martinskidmore pulls off vital win.

06. Fields - "Song For Fields": This is the second one I know - it's Song for Fields by Fields, although it's a slightly different version from the one I have - a bit longer and slightly less punchy in the production. It's a gorgeous record - a nice extended intro with the male and female voices complimenting each other really well, before the crunching guitars come in to drive it forward. I think if I'd heard this fresh it might have made my top 3, but familiarity has dulled its edge a little. 5th Place - DRAW - [livejournal.com profile] infov0re unfortunate not to get a win.

07. The Paper Chase - "We Know Where You Sleep": This song is the one that grew on me most over several listens - there's a lot going on here and it really works - starting with just a single repeated note on piano, then the spooky strings come in, and it just keeps building in various elements as it goes on. I particularly like the dischordant guitar solo. His voice is the kind of voice that annoys me sometimes, but not here - it works wonderfully. This sounds a little bit like the Arcade Fire to me, but weirder. 2nd Place - WIN - win for [livejournal.com profile] piratemoggy gives fans hope.

08. Siobhan Donaghy - "Sometimes": Lovely female-vocaled pop song, with various pulsing and bubbling synths and a nice beat propelling it forward. On that alone it probably wouldn't have stood out, but the lovely 'ooo-ooo-ooo' harmonies that act as the intro, the chorus, and then layered over the vocals at the end are what won me over as I found them swirling around my head at work the next day. 6th Place - WIN - [livejournal.com profile] poptasticuk grabs the three points with smooth win.

09. Sam Phillips - "What Do I Do?": Perhaps it's because there are lots of other songs with strings here that this suffers in comparison - it's a very pretty song, with male and female vocals backed by a string quartet, but pretty isn't enough in this company, and he just sounds a bit wet. The strings rouse themselves towards a bit of a climax near the end, which is nice, but not enough. 10th Place - LOSE - pressure on for [livejournal.com profile] blue_russian after heavy defeat.

10. ELO - "So Fine": Another string-drenched track, the 5th in total out of the 10, so that was clearly the bit from my request that most people seemed to have picked out. Sounds a bit like ELO (it could even be them, as to my shame I don't know many of their records). I love the production on this, there are so many little elements that stand out - the funky descending bass in the chorus, the little nagging guitar sound that sounds like the intro the 'You Keep Me Hanging On' that take you out of the chorus, the marvellous bit where everything drops out and an an alien starts jamming with the band. The weather helps too - this is a perfect accompaniment to wandering down the street in the sun with your headphones on. 4th Place - WIN. - classic tactics help [livejournal.com profile] jeff_worrell to victory.

Date: 2007-04-19 01:52 pm (UTC)
From: [identity profile] katstevens.livejournal.com
Yes - the vocals on track 6 were the best bit for me, especially the repeated harmony bit in the middle.

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