Chart Championship Week 5 RESULTS

[freakytigger.livejournal.com]

Here's lisa_go_blind's verdict. Before that, though, a reminder to get your tracks in for this week - I've been very busy so I don't know who has or who hasn't, it feels like we're about halfway there.

Updates on this in a couple of hours. Without further ado:

"Thanks everyone for choosing so well! I'm relieved that I didn't have to slog through any 8-minute droning instrumentals and that I only knew one track already ("Break-A-Way"). Even the bottom-ranked ones weren't horrible. My top 3 and bottom 2 were the easiest to determine, but a lot of the middle ones could have gone either way. It was interesting to see what players picked up in my intro – lots of organ, for example, but no samples as far as I could tell, and not much to dance to. Still, I really appreciated listening to the mix and finding lots of interesting new stuff.

01. Ananda Shankar - "Streets Of Calcutta". This is a really cool, Indian-influenced instrumental. I especially love the drums at the opening. Instrumentals aren't usually my thing, but this one is so dynamic and has so many interesting components that I don't miss lyrics or vocals at all. A solid win. 4th place - WIN: infov0re starting to find some form.

02. Hugo Montenegro - "Moog Power". A '60s garage-soul instrumental that sounds kind of like a lost TV theme. It's not a bad track at all, but coming right after the other instrumental, it's a bit of a letdown. I particularly like the horns and the drum solo at the end. I could see myself playing this track for fun, but unfortunately the highest I can rank it is 7th place. - LOSE: narrow defeat for unlucky epicharmus

03. Etienne Daho - "La Premier Jour" The first of the two French songs on the mix. This one is sung by a man, and sounds rather recent. It's a pleasant enough song to listen to, but I can't seem to remember it at all when it's not playing. As a result, I don't really have much to say about it. 9th place - LOSE: drab performance by blue_russian's boys.

04. AFI - "Miss Murder (Broken Spindles Mix)". Based on the opening, I thought this would be my first place – then the vocals came in. First, I was just irritated at their over-processed and fractured nature, but around the third or fourth listen I realized, oh no, it's emo. If it weren't for the "Tainted Love"-derived opening and the "hey!" backing vocals, this song would be unlistenable. 10th place - LOSE: another misfiring display by under-pressure piratemoggy.

05. The Aphrodisiacs - "The Hour Is Late But Please Consider": This sounds like a British (?) Postal Service. I actually think the chorus is kind of pretty, but I'm a little tired of sensitive male vocals over an IDM backdrop. I prefer my electronica to be either experimental or dancey. Given another set of songs, this might have scraped a win, but as it stands I'll give it 8th place. - LOSE: unlucky loss heaps pressure on byebyepride.

06. The Charlatans - "Weirdo": Well, this song grew on me. The first couple of times, it sounded like an Inspiral Carpets/Happy Mondays pastiche but without being as good as either. There's much to be said for its catchiness, though, as I found myself mentally replaying it over and over. The song feels like it's missing a big chorus or something, but I do dig the organ solo at the end. 3rd place - WIN: persistent play pays off for lockedintheatti.

07. Irma Thomas - "Break-A-Way": This is "Break-A-Way" by fellow Louisiana gal Irma Thomas. Interestingly, this song features on the same Rhino boxed set as the Dawn track I submitted a few weeks ago. While this isn't my favorite Irma song (that would probably be "Ruler of My Heart"), it is one of her most fun. I love the versions by Jackie DeShannon and Tracey Ullman as well. 2nd place - DRAW - a precious point for martinskidmore but the performance deserved all 3.

08. Sing-Sing - "Feels Like Summer": This track reminded me of a cross between Mazzy Star and The Cardigans. It's a '60s throwback, but manages to sound more modern than musty. The female vocals here are gorgeous, and I love the guitar and xylophone as well. The bridge is a little weak, but the song still sounds like the most "complete" of the mix. – 1st place - WIN: skillextric reclaims top spot after thumping win.

09. Patrick Wolf - "Get Lost": Instant demerit for starting off sounding exactly like my alarm clock. I'll freely admit that I love indie, but this sounds like an amalgamation of the worst indie excesses of the past few years, while at the same time trying to be pop. Even then, it's not a truly bad track, and I might like another song by the same artist. As it is, though, this one just doesn't appeal to me. 11th place - LOSE - shock heavy defeat for poptasticuk from title rival.

10. Khun Paw Yann - "Title Unknown 1": This was the track that grabbed me the most on my first listen. It's an interesting look at how American psychedelic rock translated to other cultures. I don't know what language this is in, but it reminds me of Brazilian Tropicália. I'm curious as to what the lyrics are about, because the music sounds so dark and desolate. A beautiful, haunting song. 5th place - WIN - confident win sees koganbot climb table.

11. Brigitte Bardot - "Oh! Qu'il est vilain" Yé-yé with bongos, an out-of-tune recorder and weird sound effects. The singer sounds very familiar, but I can't place her. I don't have much else to say about the song, except that it's a lot of fun. 6th place - WIN - jeff_worrell sneaks fortunate win.

Comments

[piratemoggy.livejournal.com]

It's extremely emo, yes. It's kind of depressing how emo it is, in fact, although the band always were really. It's also actually a remix.

It was, of course, me. My team was sleep-deprived and in tears at the time of sending so couldn't really be held responsible but it's the sort of performance I've come to expect from them :D

[koganbot]

Well, they'd have gotten my vote, if that's any consolation. (Of course, I like the recent Fall Out Boy and Good Charlotte, so anything I say is questionable.)

[piratemoggy.livejournal.com]

Recent Good Charlotte's goodness frightens me. The whole album's really great and it has this brilliant 'IN UR FAICE, HILARITY' thing about going out and forgetting a recent breakup which is like 'Discotech' by Young Love times a million.

AFI's recent badness also frightens me, although I really like that remix, obvously, to have submitted it. I actually really wanted to submit the track on this (http://www.myspace.com/blaqkaudio), which is an AFI sideproject of some kind but I can't get hold of an mp3 of it. Also I doubt it would have fared a lot better but I've started just sending stuff I really enjoy. :D

[koganbot]

Haven't heard the Good Charlotte alb, but I like the first two singles a lot. Interestingly, from what I've seen so far, the reviewers are murdering it, and these are smart reviewers (I go into this a bit on the teenpop thread): Kelefa Sanneh called it inept in the New York Times, and Mordy attacked its misogyny in the Village Voice. But then, people's reaction to "Keep Your Hands Off My Girl" seems to be "Why do these doofuses think they can do hip-hop and bling," when the song is so obviously HARD ROCK. Jeez.

[piratemoggy.livejournal.com]

I keep meaning to write about 'Good Morning Revival' but haven't quite done it yet. It's annoying it's being murdered because whilst Good Charlotte are quite capable of criminal musical behaviour, they do also know how to write a bloody good disco tune and they're fundamentally just a ridiculous party band, for all the angst. They are inept, it's true but that's part of the charm, really, after so many years of it.

I concur re: 'Keep Your Hands Off My Girl;' it's just nu metal, innit? Yeah, it's pretty silly but considerably less so than, say, 90% of Nine Inch Nails' back catalogue (although that is silly by virtue, being industrial) and it doesn't approach the stupidity of Limp Bizkit or even Linkin Park's new horrible single.

Either all that or I've just concluded that if Joel Madden's good enough for Hilary Duff I shouldn't be so picky, etc. etc.

[koganbot]

Well, now he's good enough for Nicole Richie, if that influences your opinion one way or another.