they covered 'Romeo And Juliet' on that Abbey Road TV show the other week. pretty pointless tho - the only good thing about The Killers is the occasional blast of synthey bombast
On the previous alb's set of singles there'd be nice U2ish moments where the vocal and the keyb-guitarish swells would be rather swell; this track, though, guitar and keybs are taking up space that should have been left empty for the singing to stand on its own, which I think it could, perhaps. But "glop" seems the correct description for the orchestration.
I heard a bosh version of their last single (sung by Belle Lawrence who is usually good) - it really pointed up how dreadfully structured it is, the decision to drop the momentum for that meandering middle eight: even with a 4/4 dance beat it kills the song's energy dead.
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