[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists


The Poptimists End of Year polls kick off with the unimportant, but still intriguing, category of Album of the Year. Thankyou for your nominations, which have been distilled to a shortlist (by the scientific means of "most mentioned") as follows:

Paris Hilton - Paris: The year's most controversial release - frothy R&B-pop from the heiress-turned-renaissance-woman.
Ellen Allien & Apparat - Orchestra Of Bubbles: Luscious electronic pop and atmospherics from German boffinette and henchbeing.
The Knife - Silent Shout: Shrieksome electro artpop from Scandinavia.
Marit Larsen - Under The Surface: Scando singing-songwriting popstrel spans country, twee and Euro-pop.
Beyonce - B-Day: Quickly recorded relationship dissections from the reigning queenbot of R&B.

You, the Poptimists Voting Academy, can grace ONE of these with your tick. Do so!

[Poll #891029]

Another category tomorrow - if you didn't nominate you STILL CAN in the other categories by going here!

Re: badly-argued defense of The Knife

Date: 2006-12-19 10:15 am (UTC)
From: [identity profile] awesomewells.livejournal.com
I think discussion of the voice is largely a red herring in reference to Silent Shout considering how rarely you hear it untreated over the course of the album. It's not Bjork that her voice reminds me of, it's Thom Yorke c. Kid A/Amnesiac - someone who could clearly sing 'properly' if they wanted to but are actively choosing not to, by mangling their voice, treating it like they hate it.

Ditto the references to "star quality" because The Knife are coming firmly from a faceless dance 'all about the music' standpoint, which admittedly is quite difficult to pull off if you have a female singer with a very distinctive voice.

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