




The Poptimists End of Year polls kick off with the unimportant, but still intriguing, category of Album of the Year. Thankyou for your nominations, which have been distilled to a shortlist (by the scientific means of "most mentioned") as follows:
Paris Hilton - Paris: The year's most controversial release - frothy R&B-pop from the heiress-turned-renaissance-woman.
Ellen Allien & Apparat - Orchestra Of Bubbles: Luscious electronic pop and atmospherics from German boffinette and henchbeing.
The Knife - Silent Shout: Shrieksome electro artpop from Scandinavia.
Marit Larsen - Under The Surface: Scando singing-songwriting popstrel spans country, twee and Euro-pop.
Beyonce - B-Day: Quickly recorded relationship dissections from the reigning queenbot of R&B.
You, the Poptimists Voting Academy, can grace ONE of these with your tick. Do so!
[Poll #891029]
Another category tomorrow - if you didn't nominate you STILL CAN in the other categories by going here!
Re: badly-argued defense of The Knife
Date: 2006-12-19 12:37 am (UTC)For the last two albums Goldfrapp have gone wholesale 'phwoarr' electropop but there's still a richness to their sound I can enjoy despite their ditching of reference points like Morricone and Barry.
But I think you have a point in that Goldfrapp have lost the sense of menace and mystery they may have had initially. But The Knife are just a whole lot weirder and more alien in the end. Maybe it is because Goldfrapp are British I dunno. I would love them to try and do something more 'out there' and genuinely malveolent like 'Silent Shout' tho.
Re: badly-argued defense of The Knife
Date: 2006-12-19 10:07 am (UTC)Re: badly-argued defense of The Knife
Date: 2006-12-19 10:10 am (UTC)