In a shock move, people at the Other Place are being mean about this album. But it should be right up the Poptimist alley!
'Turn It Up' - a typical Scott Storch crunk'n'b banger which starts off with Paris yelping "yah! that's hott!" over minimal bleeps and beats, before it turns into this incredible super-polished Britney-fronting-Pussycat Dolls thing, breathy yelps and whispers for the verses and elegant lift-off synths for the chorus
'Fightin' Over Me' - even more minimal, plinky-plonky synths and not much else as Paris sets Fat Joe and Jadakiss at each other's throats for the honour of, it turns out, being rejected by her. "All those boys, all those silly boys," she rolls her eyes, before inexplicably giggling "Welcome to Paris!" - pronounced the French way
'Stars Are Blind' - you know this already. Gorgeous, yearning, boundlessly hopeful
'I Want You' - even more plastic fantastic, underpinned by a
massive horn sample which careers along like an unstoppable force over some sterling chord changes
'Jealousy' - the one about Nicole Richie which I
talked about yesterday'Heartbeat' - absolutely gorgeous ballad which drifts along on a cloud of dreamy, very 80s synths before bursting into a chorus which is, again, really, genuinely moving in its hopefulness and yearning. It reminds me of a cross between Annie's 'Heartbeat' and 'Time After Time', it's that good
'Nothing In This World' - comes on like 'Since U Been Gone', having got the angst out of its system and able to breathe for the first time, donning its zip-up boots and heading down to the local disco for some whirlwind romance. If this means stealing another girl's man then so be it - Paris makes the line "I can do what she can do so much better!" sound like the most innocently optimistic thing ever. She doesn't mean to be mean! (Also, this album is the first I've heard which ties both strands of current teenpop - guitar-based confessional Lohan/Lavigne/Clarkson/Simpson Jr teenrock, and hott beatz'n'braggadocio r&b - together again - a really important accomplishment)
'Screwed' - an absolute stormer, much better than the remix which got leaked last year. The tune is just unstoppable, the 4/4 kick under the chorus awe-inspiring, and the lyrics excellent - in the first verse it's all about "the same old story: boy meets girl and she falls much harder than him", in the second "boy falls under the spell of a woman from hell". Somewhere in there she would like intimacy over getting screwed but until then she'll merrily dance the night away. I have lobbied for this to be the next single!
'Not Leaving Without You' - more amazing pop goodness; starts with thrumming disco synth and twanging country guitar before it explodes into an irresistible prime-80s-Madonna chorus of "We can dance! We can dance! We can dance!", a TICK-TOCK TICk-TOCK moment (surely now mandatory for all female popstrels) and a stomping, whirling conclusion PLUS RAP - "I wanna know what you dream about! I wanna know what you're thinkin' now! And when the lights go down and you come around, let me see what it's all about!"
'Turn You On' - back to the Storch crunk'n'b for a tongue-firmly-entrenched-in-the-bubblegum-lodged-in-Paris's-cheek tease of a song. "I'm sexy and you know it - clap your hands!" she orders before declaring "tonight I'll be your liquid dream" (nice, Paris, nice) and "Girls and boys are looking at me! I can't blame, I'm so sexy!" This is what I envisaged Paris's pop career to be like and she has not let me down
'Do Ya Think I'm Sexy?' - initially I just thought this was funny, shoved on to the end of the album at Paris's insistence even though everyone else involved is slightly embarrassed, and backing away from her like everyone tries to pretend the drunk girl doing horrid karaoke isn't in their group of friends, oh no, we don't know her at all. But I think I like it properly now! I never thought I'd hear a version of this hitherto appalling song which made it not only tolerable but good
So, overall: POP ALBUM OF THE YEAR! Hurrah!