The History Of Pop Part 57 aka I could teach you, but I'd have to charge

[freakytigger.livejournal.com]

The titanic clash that was the Now 56 poll is NOT OVER YET, with Beyonce and Rachel Stevens slugging it out in a tie breaker. Meanwhile Now 57 also has its share of modern giants, as well as debut appearances by Keane, Snow Patrol, Joss Stone and the RETURN OF INDIE (ok ok it never left).

Click below the cut if you want a chance at sorting it all out.


[Poll #768484]


STICKY TICKY

Comments

Re: Deadlock

[awesomewells.livejournal.com]

I dunno, could be a late rush on Frank Ferguson as well...

Take Me Out is still terrific, especially as it's entirely devoid of all the Neil Hannonesque limp-wristery elsewhere in their work. I am excluding Do You Want To from this because it has exactly the same Big Stomp Factor that they really should make more of.

Re: Deadlock

[alexmacpherson.livejournal.com]

OH MY GOD I DIDN'T SEE HOW CLOSE THAT SONG IS TO BRITNEY AND KELIS - stop ticking it! it is disgusting! and clunky and awkward and TERRIBLE!

go back and UNTICK it!

you are not fit to call yourselves POPtimists!

AAAARGH I HATE THEM SO MUCH RIGHT NOW

Re: Deadlock

[awesomewells.livejournal.com]

Milkshake is clunky and awkward as well. Clunky and awkward is A GOOD THING.

Re: Deadlock

[alexmacpherson.livejournal.com]

Milkshake is clunky and awkward and simultaneously smooth and sexy. Take Me Out just goes plod plod plod and then tries to be clever by turning into another song and falls flat on its pimply indie face. UGH it disgusts me.