Hmm.. I still prefer 'Slave to the Music' [after listening].
And it is proven by this fantastic website (http://eurokdj.free.fr/html/essai.php?letter=t#Twenty%204%20Seven) about Eurodance, with its lovely Dunglish:
"And suddenly in the late summer of 1993, there was a very 'aanstekelijk' song a the radio. It was Slave To The Music. Slowly whole dancing Holland became infected by Twenty 4 Seven. The song started slowly in the charts, but kept on climbing. And many weeks after it entrance it highest position in the charts. But the song didn't stop at the borders of its homeland, it grew and grew. Where most of the Eurodance stayed in west Europe and Japan, Twenty 4 Seven became popular in West Europe, Israel (where it reached position #17 in the national chart), Japan, Australia, South Africa, South America and even East Europe. Twenty 4 Seven was the first dance-act in ex Czechoslovakia who got platinum."
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timeasmymeasure
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Date: 2006-02-02 09:17 pm (UTC)And it is proven by this fantastic website (http://eurokdj.free.fr/html/essai.php?letter=t#Twenty%204%20Seven) about Eurodance, with its lovely Dunglish:
"And suddenly in the late summer of 1993, there was a very 'aanstekelijk' song a the radio. It was Slave To The Music. Slowly whole dancing Holland became infected by Twenty 4 Seven. The song started slowly in the charts, but kept on climbing. And many weeks after it entrance it highest position in the charts. But the song didn't stop at the borders of its homeland, it grew and grew. Where most of the Eurodance stayed in west Europe and Japan, Twenty 4 Seven became popular in West Europe, Israel (where it reached position #17 in the national chart), Japan, Australia, South Africa, South America and even East Europe. Twenty 4 Seven was the first dance-act in ex Czechoslovakia who got platinum."