Another Year In Pop: 26

[katstevens.livejournal.com]

We're halfway through the year, and Ne-Yo and Jordin/Chris have Coldplay trapped at no.2 in a cunning pincer movement! Elsewhere Mariah finally hauls her dead grandmothers into the top 40, and enough people downloaded '99 Problems' in 2 hours to get it to number 95...

[Poll #1213640]

(apologies for the deleted entry - forgot to put the last two options in!)

Comments

this morning I am grumpy

[piratemoggy.livejournal.com]

When are they going to release some actually good music?

[carsmilesteve.livejournal.com]

i think i don't like MGMT, but it's pretty hummable. i think i might like the black kids although they were SHOCKING live on the telly and everything Jess said about them made perfect sense...

[alexmacpherson.livejournal.com]

Mimi - THIS IS FOR MY PEOPLES WHO LOST THEY GRANDMOTHERS. Yes for that line alone but it's a lovely song, if a wrong choice of single.

Ironik - when I first heard this I googled the pitch-shifted chorus lyrics because the melody was so familiar, only to find...it's a Westlife track I've never knowingly heard?? Sampled on a grime track?? Points for the wtf-ness of chipmunking up Rozalla AND Westlife, the narrative is rather sweet too.

Freemasons - Belting house diva is promising for the first 30 secs but it goes nowhere/does nothing but clump around boringly. Choreography in video is shit.

The rest - boring indie crap.

[katstevens.livejournal.com]

Ironik - chipmunk Rozalla segues into piss-weak Enya rap. Whoever said this was bit 'Viva Forever' was nearly OTM but VF craps on this from an grebt heigh.

Glasvegas - Doves meets the Killers with lame vocals. Yuck.

Mariah - I can't say this has stuck with me since the initial WTF first hearing, but it's still a good effort from Mariah and the music is pleasant. Borderline tick.

MGMT - The video has a small dog in it. Are these lot anything to do with the Mighty Boosh? Same haircut and 'look we're in a jungle lets sing a surreal 80s funk pastiche song about marmosets' vibe. I like the 6/8 repeat thing but it doesn't really go anywhere does it? Still, I think I might tick it as I want to listen to it again. Maybe.

Freemasons - uninspiring when I listened to it the other week, can't be faffed with it today.

Courteneers - the title alone is annoying me. Skip.

Black Kids - the verse sounds like Level 42 or something! Or Was Not Was. Chorus is exactly the same as the last single (ie annoying). No tick.

[koganbot]

I've been dismissing from my mind the chorus of "it's a bad year on the British charts" with the thought "Oh, it's just a patch of a few bad weeks." But the patch seems to be growing and growing, and the problem isn't so much the usual run of bad indie bands and half-assed dance remakes, which are always with us, but that, e.g., someone like Mariah will go with one of her album's weaker tracks. And a paucity of new great tracks from (for me) nowhere; haven't gotten any of those since "Cry For You" and "L.E.S. Artistes."

I don't think this bad patch is indicative of anything about current music or current tastes. Just random variation.

(Also, it seems to me there's been a lot less participation in poptimists this year.)

[koganbot]

Ironik "Stay With Me": Pretty song vocodered and chipmunked while a dull guy talks in front. I've nothing against chipmunking in principle; it works best when there's something fundamentally delirious about the material. Whereas, the melody here would be "pleasing." If this is a cover I might like the original. NONTICK.

Glasvegas "Geraldine": Pretty riffing w/ big drums and sub-Bono balladeer singing half-extravagantly in front. The prettiness isn't all that pretty, the passion is not credible, the accompaniment is just padding. Rote. NONTICK.

Mariah Carey "Bye Bye": As Mariah tracks go, this is easy, a summer mist, occupying a range between sentiment and bubbly. Most interesting feature is that her passionate payoff near the end is mixed way back so as not to disrupt the mist. A definite TICK, but I miss the Mariah of intensity and irresponsibility, the madwoman of the melismas.

MGMT "Electric Feel": A dance song that deliberately doesn't want to get its feet untangled. I like the bass part - it's a stub, you can build moods and beats around it, a late-night swaying motion. And the unemphatic singing could augment the mood, letting the feelings penetrate without their being pushed. But in this instance being unemphatic doesn't prevent the vocals from unmusically amateurish, the basic indie wet blanket. Compositionally interesting, but the singing makes it a drag. Really, I don't see what these people gain by failing to hire some dime-a-dozen, competent session singers. NO TICK.

Freemasons f. Katherine Ellis "When You Touch Me": Competent belt-it-out soul singing that in this instance doesn't deliver, since this doesn't just need competence, but a song. There is a song here, but it's given to 'Rama-Girlsaloud unison backup singing, and the blazing belter gets in the way. Freemasons triumphed last two times up, this is a disappointment. BORDERLINE NONTICK.

Courteeners "No You Didn't, No You Don't": The rhythms slide around each other interestingly, a shambling facade masking actual force - which doesn't make me like the rhythm, however, as it is too fast and pushy for dancing, an unintentional antigroove. Singer has a casual way of not-quite emoting, mere restraint pretending that it's nuance. NO TICK.

Black Kids "Hurricane Jane": Puzzles me. As with the MGMT, this has a gaggle of not-quite-together, not-quite-musical voices. Not the accidental antigroove of the Courteeners, but dance music that emphatically doesn't want to kick. Why? BEMUSED NONTICK.

[chezghost.livejournal.com]

woah i came v close to ticking Courteeners (too generic), Black Kids (nice female backing, bloke lets it down somewhat) AND Mariah (foot started tapping without my authorisation) there...

[andthatisthat.livejournal.com]

Oh bvgger, I ticked "not heard any" then realised I have heard Ironik and quite like it. Ooops.

Hurrah for Jordin and Chris at No.3, though!

[poptasticuk.livejournal.com]

Why has no-one commented on Stay With Me being a Westlife cover? I really need to get up to date on my LJ reading so I can mention these things...