A Year In Pop: 48
Dec. 3rd, 2007 02:13 pmLike a terrifying rogue planet the awesome gravity pull of WOBS is warping the charts - now we see what the all-downloads rule is really about.
[Poll #1099584]
Almost there though!
[Poll #1099584]
Almost there though!
no subject
Date: 2007-12-03 02:20 pm (UTC)no subject
Date: 2007-12-03 02:24 pm (UTC)That is all.
no subject
Date: 2007-12-03 02:24 pm (UTC)no subject
Date: 2007-12-03 02:27 pm (UTC)no subject
Date: 2007-12-03 02:29 pm (UTC)no subject
Date: 2007-12-03 02:29 pm (UTC)And it sounds a bit cheap anyway.
no subject
Date: 2007-12-03 02:35 pm (UTC)Shayne Ward. This was my nearest to a tick. Hated the first song I ever heard by Shayne, thinking his voice was ridiculous rather than moving in its passion. And now I've started to like him, and I wonder if I were to go back to Original Song (whatever it was) whether I might not like that too. He seems like a stupid version of Timberlake - Timberlake knows more than simply to rely on the sweet sound of his voice; but Ward's voice is sweet. His problem here is the song itself, which is just kind of ordinary.
Sean Kingston. Pleasant enough. A lightweight (musically, that is). Hard to care about this. Could tick, but why?
The Editors. Hmmm. His voice has a basic gravelly, overdramatic tone, but strangely there's no pace or drama to the song. I don't hate this, but the accompaniment needs to be less rich, as it seems to be neutralizing everything. I can imagine how this guy could do well with this voice, but I've heard the Editors now and then without remembering anything about their music, so my guess is that it's not too likely to have happened on the tracks I haven't heard. But I haven't really explored their oeuvre.
Pendulum. Strange instrumental environment with a touch of Asia, and then a quasi-psychedelic song, with feints in the direction of both metal and techno. Another "Hmmmm" track. Borderline, but on the boring side of the line.
Sugababes. Shrug to this one.
no subject
Date: 2007-12-03 02:36 pm (UTC)Rationalizing my policy shifts
Date: 2007-12-03 02:41 pm (UTC)All I Want For Christmas Is For You To Ache Like I Ache
Date: 2007-12-03 02:44 pm (UTC)As far as I know, I am the only person ever to compare Courtney Love to Mariah Carey.
no subject
Date: 2007-12-03 02:47 pm (UTC)no subject
Date: 2007-12-03 02:51 pm (UTC)no subject
Date: 2007-12-03 02:53 pm (UTC)no subject
Date: 2007-12-03 02:56 pm (UTC)Re: All I Want For Christmas Is For You To Ache Like I Ache
Date: 2007-12-03 02:57 pm (UTC)no subject
Date: 2007-12-03 02:58 pm (UTC)no subject
Date: 2007-12-03 03:20 pm (UTC)no subject
Date: 2007-12-03 03:59 pm (UTC)Re: All I Want For Christmas Is For You To Ache Like I Ache
Date: 2007-12-03 04:12 pm (UTC)no subject
Date: 2007-12-03 04:27 pm (UTC)(I think Fairytale in New York might actually be it)
no subject
Date: 2007-12-03 04:31 pm (UTC)Elvisx2 - tick for AOMM but not AAT according to my standard Elvis ticking rules.
Mariah - always awesome, ticketytick.
Editors - HANG ON THIS ISN'T CHRISTMASSY AT ALL. If you like boomy voiced dudes singing over weedly-woo guitars and heavily high-hatted drumbeats then I'm sure this is lovely but it just sounds very boring to me. Perhaps it would sound good in a 'stadium'?
Pendulum - Video full of alien sightings that seems very mismatched with the song. Hmm, I'm not sure about this one. It's very upbeat, the main riff is catchy, the vocals are good. Perhaps it requires better bass than my work headphones & youtube can supply? No - actually it's the drum sound. I don't like it. Borderline non-tick tho.
Sean K - way less good than Beautiful Girls, in terms of catchiness/pleasant plinking noises/comedy lines. No tick.
Pogues - PLUS 24 REMIX U+K KTHX
Sugababes - This is growing on me! It's upped from 'slow plod' to 'aww quite sweet actually'. NB this has ZERO to do with Heidi being a fox.
no subject
Date: 2007-12-03 04:33 pm (UTC)no subject
Date: 2007-12-03 04:41 pm (UTC)Re: Rationalizing my policy shifts
Date: 2007-12-03 05:26 pm (UTC)Other than Jersey Boys (http://en.wikipedia.org/wiki/Jersey_Boys), you mean?
no subject
Date: 2007-12-03 05:33 pm (UTC)Re: Rationalizing my policy shifts
Date: 2007-12-03 05:41 pm (UTC)no subject
Date: 2007-12-04 10:12 am (UTC)no subject
Date: 2007-12-04 10:27 am (UTC)no subject
Date: 2007-12-04 12:37 pm (UTC)no subject
Date: 2007-12-04 12:39 pm (UTC)no subject
Date: 2007-12-04 12:39 pm (UTC)no subject
Date: 2007-12-05 02:16 am (UTC)¤ Elvis I+II: my reissue rules say no.
¤ Mariah: A new song is a song I haven't heard (a Lex and any others are free to point and laugh at my impoperacy), so reissue rules BEGONE. This is simply ossum. Major tick.
¤ Editors: the first minute and a half, singer sounds like younger Nick Cave! Has to do not only with timbre, but also breathing and attack I think. Generally sounds like he thinks AN LOT about use of voice, but might still be offended if you called him "affected" which is not necessarily a bad word in my book (see also The Killers maybe). Latter half of song (because of video + said vocal affectations) put "Black Hole Sun" into my head. Oh right, the song: nah, no tick.
¤ Pendulum: starts out well (when is the trip-hop revival scheduled again? I have some Nordic orgafun entries lined up), continues with equally good wheewhee riff, then just follows up with fair-to-really-good elements failing to gel. No tick, but willing to listen more to The Small Weight.
¤ S Kingston: is there winter trouble with songcraft or something? The chorus is supposed to be more exciting than the verse. In addition to this one, I think both Editors and Pendulum would stand a chance of a merklich tick if they didn't get less interesting and fun at you know the minute mark or so. No tick.
¤ Pogues vs <3 <3 Kirsty: reissue rules apply. No tick. I probably do still love it though, but generally avoid Christmas songs, at least at or near Christmas.
¤ Sugababes: well here at least the chorus is an amplification on the verse, thus creating the correct heightening in the proceedings. This may not have been enough for me in itself, but what in addition gives this a Tick is the rather audacious pedal point (http://en.wikipedia.org/wiki/Pedal_point) being held for a very long time (to the rather late "middle" eight actually), which to Formalists R Us (Prank Divsion) makes the title "Change" even better. Krautrockpop!