[identity profile] freakytigger.livejournal.com posting in [community profile] poptimists
Oh goodness, aren't there a lot of miserable boys in the chart this week?

[Poll #968699]

Remember that by the magic of TAGS you can go back and fill in any of these polls that you might have missed, so make the polls more ACCURATE.

Busy day on Poptimists today - we have Pop Premiership results up later on.
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Good lord that's a ropey lot

Date: 2007-04-18 09:38 am (UTC)
From: [identity profile] alexmacpherson.livejournal.com
Akon: lovely summery bounce, sweet lyrics, he convinces me. This isn't a song I would seek out particularly at any point but the kind of song which makes me smile inside whenever I hear it by chance, and then after enough of those chances I realise how much I love it

Nine Inch Nails: grinds, interminably and pointlessly

Klaxons: there is a really good remix of this. My official verdict on the original ("ROPEY OLD SHIT") stands

Muse: oh my god a Muse ballad. The video immediately below this on youtube has the description "Listen as Muse vocalist Matthew Bellamy gets magically transformed into Gwen Stefani with a litte help from a pitch shifter" - I THINK NOT

Elliot Minor: never heard of these people before, hope never to again

Bloc Party: hang on I'm sure the opening shot is of a train pulling out of a DLR station, I'm sure I recognise it, but the train itself is not only blatantly not a DLR carriage but not any form of tube carriage that I recognise! This mild transport geekery is a lot more fascinating than the song, which is the first where his voice doesn't cause my ears PAIN but which is also really dull

Gareth Gates: we can tell you don't believe in change, and also, I thought you'd been dropped? I don't believe in giving people second chances

Fall Out Boy: oh do fuck off

Date: 2007-04-18 09:39 am (UTC)
From: [identity profile] katstevens.livejournal.com
To my shame I have only heard 2 of these despite ACTUALLY LISTENING to at least half of the Radio 1 chart on Sunday! Gareth and NIN both get ticks: Gazza gets marks for effort (he's really trying! He's loving angels instead! Bless!) and Trent gets marks for actually doing something different whilst sticking to the NIN strangled goth "theme" (ie after hearing it on sunny afternoon sat in back yard I actually wanted to hear it again properly).

Date: 2007-04-18 09:50 am (UTC)
From: [identity profile] strange-powers.livejournal.com
I don't think I've ever ticked "none of them" before, but I fail to find a redeeming aspect in any of them. That's depressing.

Date: 2007-04-18 09:51 am (UTC)
From: [identity profile] byebyepride.livejournal.com
Well a quick review of these on youtube suggests some of these are ok and get ticks, and very few are totally awful, but that they're all pretty dreary. Apart from Akon which steals from several Wyclef Jean tracks and is therefore officially fine by me. Come on Britishes charts, get your act together! Eliot Minor score for having actual metal guitar intro, not just yr emo grunge nu-metal yomp. Couldn't be bothered to finish the track, so no idea if the solo is good or not!

Date: 2007-04-18 10:01 am (UTC)
From: [identity profile] ms-bracken.livejournal.com
I am becoming increasingly weary of Muse, and I consider myself an ardent fan of overblown pomp (cf: My Chemical Romance). They get a tick but only just.

Fall Out Boy get my tick for the forseeable future, i.e. until they make a concept album about Mars.

Date: 2007-04-18 10:04 am (UTC)
From: [identity profile] piratemoggy.livejournal.com
I really hate that Gareth song. It is awful. It's bad enough that Radiohead did 'No Surprises' in the first place without anyone ripping it off like it's a good thing. :(

Fall Out Boy get ticky because I really like that song, Nine Inch Nails get the Trent Reznor prize for being Nine Inch Nails although the song is also really good and The Klaxons sneak in with the remix, like most people seem to be saying.

Elliot Minor = annoying rubbish version of an interbreed between McFly and Son of Dork. Or possibly just a Nightmare of You ripoff. That said I would probably like it if Emilie Autumn did it but then she would do it better.

Date: 2007-04-18 11:09 am (UTC)
From: [identity profile] whalefish.livejournal.com
Why can't Muse go away and leave everyone alone?

With every new album the first single is vaguely interesting, and I think "Oh, perhaps Muse are going to do something a bit different now instead of all this overblown epic wank". And they never do! The ballads are always the worst bit too.

Date: 2007-04-18 11:39 am (UTC)
From: [identity profile] mostlyconnect.livejournal.com
Ticking both the Gareth single and "not heard any of them" was totally satifying.

Date: 2007-04-18 12:00 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
Ticked Fall Out Boy and Akon, both fairly easy ticks. The only other two I know and didn't tick are Gareth and Klaxons, and those were both easy nonticks, which made this the easiest poll yet.

American Version:
Timbaland ft. Justin Timberlake & Nelly Furtado - "Give It To Me"
Linkin Park - "What I've Done"
Hilary Duff - "With Love"
Bow Wow ft. T-Pain and Johnta Austin - "Outta My System"
Hinder - "Better than Me"

Date: 2007-04-18 12:58 pm (UTC)
From: [identity profile] infov0re.livejournal.com
I am, incidentally, totally pumped that FOB are doing so well. They are my fave.

Date: 2007-04-18 12:58 pm (UTC)
koganbot: (Default)
From: [personal profile] koganbot
Only tick was Fall Out Boy, which has a reasonably good tune.

Muse guy's voice is somewhere between mewling and self-important, isn't as bad as that description makes it sound, but the song is blah and being revved up with good blips and aggressive bass doesn't save it, esp. when bad quasi-prog wanking comes in and then they're all thrown together in a mess.

NIN is unexpectedly plodding. Had an idea from hearing 'em in the old days that they could organize their noise into rhythm: fuzzed and filtered horror and pushiness. But this is fuzzed and filtered dullness, and the chorus sounds horror-house in its inability to convince.

Elliot Minor, pretty good generic emo knockoff by a band that deosn't sound angsty enough to be emo - all this could be good but the song's not quite good enough (but better than most of what you guys have been ticking). Fast prog-metal guitar solo is likable for its inappropriateness.

Akon, one of my rare nonticks for him; goes to his immediate facile beauty but then just sits there with it.

Klaxons, haven't heard the vaunted remix but unless that's what the radio's playing and people are downloading, it doesn't count. Jury's definitely out on these guys: a while back they did a great job of making that Oakenfold/Grace song into a tense glammish rock song; but dull sore-throated singing on this, somewhat compelling sore-throated guitar playing, the latter not enough to make this a tick.

Bloc Party, surprisingly gentle, like old-style strumming Amerindie from the mid '80s. Boring, though. (Though?)

Date: 2007-04-18 01:09 pm (UTC)
From: [identity profile] umlauts.livejournal.com
I ticked Muse and FOB and Gareth Gates! I AM THE ANTI-LEX.

Date: 2007-04-18 01:48 pm (UTC)
koganbot: (Default)
From: [personal profile] koganbot
Oh, forgot to mention the Gates. It's beyond good and evil. But it's bad.

Date: 2007-04-18 01:56 pm (UTC)
From: [identity profile] chezghost.livejournal.com
ALL OF THESE SONGS ARE TERRIBLE. WORST WEEK EVER.

Date: 2007-04-18 02:54 pm (UTC)
From: [identity profile] dickmalone.livejournal.com
You are all coming very close to convincing me that I don't like the Bloc Party one, but I still do. I think. It's the only really good one I think. I like the whole album, it's all swoony and beefy.

I like the rhythmic tricks on the NIN single a LOT, like fifty times more than I like actually listening to the song.

Akon's good but maybe I haven't listened to it enough.

Rest were very liberal interpretation of "at all" ticks.

Date: 2007-04-18 04:13 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
As I write this now, there is a 7 way tie for third place. Feel the excitement!

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