A kung fu fighter in a disco

- R Kelly

Though it's not as good as "She's Got That Vibe".

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celentari.livejournal.com

Uff still hate that one, HOWEVER, songs I liked at the time that I hate now: Druqks Don't Work and Perfect Day. Well, I still like the original, but that whole BBC ident thing is just ming.

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1997: The year the Comic Relief single p1sses all over Children In Need. However in both cases the antes were significantly upped.

DISCUSS!

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1997 I LOVE YOU

actually, authentically, a year so full of love it is amazing it didn't burst and splatter itself all over the rest of the nineties.

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martinskidmore.livejournal.com

I didn't tick Tori, but if the Armand Van Helden remix counts, I would have. Can we have a clarification on this important point, please?

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It wasn't bad, was it? Despite learning the guitar and affecting an indie sn0b outlook* I was still utterly obsessed with the pop charts. My loathing for the Spice Girls was utterly overturned by their mindblowing performance at the 1997 Brit Awards. The Union Jack dress! The backflips! Fireworks! AMAZING SONG!

*No guitars, no fun. Ha!

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It is indeed the remix!

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jeff-worrell.livejournal.com

I think that it is the remix and only the remix we're supposed to be evaluating here.

Was there supposed to be another option to "Bless" re G Barlow? That 100% statistic is a bit meaningless without one.

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jeff-worrell.livejournal.com

Is anyone else (who gets FT as a syndicated feed on LJ) getting an overdose of Food Science Day on their Friends page this morning? I've had to set up a Friends filter to stop the madness!

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I think this is one of the years I'm least looking forward to doing on P'lar. I don't love the shiny pop nearly as much as the 96 or 98 equivs, and I hate the dreary britrock even more!

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I realised, quite recently, that my version of 1996-7 had been totally stalinised by looking back and thinking "but i was totally indie surely", cos I really liked the Spice Girls especially! I remember when they were interviewed in the NME (was it by stephen dalton? i bet it was), it were awesome.

I however hated 'don't speak' at the time and was really annoyed that No Doubt got big off the back of it and not off "Just A Girl", which I thought wayyyyy better.

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Yes, sorry about that FT readers. It's been sorted out now so there will be no more extra bonus repeat posts.

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I did type out this poll yesterday as I wasn't sure how much spare time I'd have today. But that was an intentional solo tickybox, more to demonstrate my pity for Gazza than for people to show theirs.

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you can not tick it? Also there is no reaction but 'bless' possible. XD

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jauntyalan.livejournal.com

yes sorry for the pirate-inspired madness there. filter it out of yr friends until the LJ feed catches up

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Just A Girl was GREBT esp if you were 15 innit. Haha, I remember laffing heartily at all the ppl who bought Tragic Kingdom expecting album full o' ballad ala DS, and found themselves lumped with some mid-paced Californian ska punk.

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Not only did I tick the GazBaz box I ticked his SONG! Then it struck me that maybe this was the soppy ballad and "Forever Love" was the good disco one.

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At least it's about half and half dreary/shiny. But when I wrote the blurb up the top it really did strike me how morbid this year was!

Professional WIDOW
I'll be missing BIGGIE
Candle in DIANA
Richard Ashcroft's MUM (or someone)
Lou Reed turning in his GRAVE (ok not quite)

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My reaction to this year is barely even critical, I think? It's mostly just ("just") a really important year for me, personally, in terms of my relationship to music, a point at which I was experiencing everything. All this stuff I'd nowadays shrug off as schlock-sentimental or substandard or cynical or... whatever, that at the time was fresh and moving and more meaningful than anything else.

I secretly don't think of the dreary britrock as separate from pop, even!

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actual ANTHEM for girls who loved the guitars! It's one of the first records I can remember having a proper in-depth conversation about, with my friend who was all about the SoCalPunk. Plus she appeared to have the longest midriff in the WORLD in the video.

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Yeah, I mean it wasn't really actually separate from pop.

Actually that's an interesting thought - the original move from Swinging London pop to late 60s rock was marked by a format shift to albums (and a radio format shift too!) which left the singles chart actually somewhat adrift (the period currently being covered on Popular) - maybe one of the things that made britrock SO irksome was its total refusal/inability to give up the pop infrastructure of radio/video airplay, appearances on TV shows etc.

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I could go on like this all afternoon.

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lockedintheatti.livejournal.com

This was a HUGE year for sales though - obviously Elton's as the biggest ever, but also Aqua, Teletubbies, Perfect Day & Puffie all sold over a million copies. If I recall correctly this was one of the biggest years for single sales ever, rivalled only by a couple at the end of the 70s.

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OMG YES!

there are a few dreadful dreadfulnesses present but they are totally overshadowed by:

- sentimental and emotional r&b! (Puff Daddy and R Kelly)
- Olive getting most improbable No 1 ever on fourth re-release!
- glorious pop back-to-back of 'I Wanna Be The Only One' and 'Mmmbop'!
- TORI GETTING A NUMBER ONE!!!!

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And there was that weird thing where they still acted like they were Taking On The Man by appearing on TOTP and having number one records - they were still locked in the groove of the indie mindset, even the boorish beerish stuff. I think that's lasted, you know? Current irksome britrock stuff - yer Coldplays and whatevers - still does what's left of the singles-based promo trail, and still acts like it's surprising. ("britrock is teh art of pretend indie ethic" etc etc.)

Mind you I don't think I consider it irksome, anymore! I have come a complete 180 on this.

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Original and remix are BOTH great! Sadly the original with its chorus of "Starfucker just like my daddy/Selling his baby just like my daddy" over a thrash metal riff played on a harpsichord would perhaps not quite have been No 1 material.

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this is why I refer to Oasis et al as indie!

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martinskidmore.livejournal.com

I have amended my vote accordingly.

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Tell me more of yr love of SNOW PATROL!

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I have not got that far yet but I am working on it! Amazingly sentimental stuff with string sections tacked on for ADDED EXTRA GRAVITAS is kind of amazing, though, how it pounds and chimes and soundtracks preview commercials for One Tree Hill with people sighing mopily!

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I would agree but I wish they'd drop the singing style, LET JEFF BUCKLEY REST.

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YES. I think it is beautiful and heart-rending and moving, now.

Also 'I'll Be Missing You'! How could I ever have hated it?

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