Timbaland and Elton John, 2 Man Show.
Apr. 5th, 2008 01:15 am![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
The great thing about it, is that Elton John's Piano and not is voice is present. It recasts pop history as one that is against language, the ripping apart, the working through of history that has been timberlands project, cuts through the narratives of daniel or rocket man. the stuttering start, and the slow extension and then retraction of keyboard, waiting, waiting for the voice, and then the voice absent, listening to the end, a name check, and virtuoso's on the 88 keys--like scott joplin or jerry lee lewis or screaming jay hawkins or kate bush, all are here, in the staccato, and the rthym versus percussion polyphony fight that makes up pop in general. that it is the last song on the album, makes it a tying up, for an album that is chaotic, collaborative, abstract, and difficult.