any colour as long as its black.

[byebyepride.livejournal.com]

Tracks currently playlisted on BBC Radio 1 AND BBC Radio 2 AND BBC 6music:

Lily Allen - Smile; Keane - Is It Any Wonder (Radio 2 playlists the whole album); The Kooks - She Moves In Her Own Way; The Zutons - Valerie; Embrace - World At Your Feet; Franz Ferdinand - Eleanor Put Your Boots On; Razorlight - In the Morning.

Tracks currently playlisted on 2 of either BBC Radio 1; BBC Radio 2; BBC 6 music

The Automatic - Monster; Gnarls Barkley - Smiley Faces; Muse - Supermassive Black Hole; Pink - Who Knew; Red Hot Chili Peppers - Tell Me Baby; Rihanna - Unfaithful; Kelly Clarkson - Breakaway; Dirty Pretty Things - Deadwood; Justice vs Simian - We Are Your Friends; Jamie T - Sheila; Jose Gonzalez - Hand On Your Heart; Guillemots - Made Up Love Song 43; James Morrison - You Give Me Something; Paolo Nutini - Last Request; Rooster - Home; James Dean Bradfield - That's No Way To Tell A Lie; Editors - Blood; Pipettes - Pull Shapes.

No. of tracks on radio 1; radio 2; 6music A list also on another stations music lists:

11/19 (radio1); 7/10 (radio 2); 11/14 (6 music).

partial selection of artists only appearing on radio 2 playlist (this week, info on other weeks not located)

Morrissey; Richard Ashcroft; Shayne Ward; Sandi Thom

Comments

[zenith.livejournal.com]

Justice vs Simian - We Are Your Friends

Jesus! How old is this?

[alexmacpherson.livejournal.com]

It's really depressing seeing this wholesale return to "white music, pref with guitars in, is better" assumptions.

[carsmilesteve.livejournal.com]

but, but, what does A-list mean these days? if radio 2's is only ten records, doesn't that imply they're playing a *broader* range of stuff? ditto to a slightly lesser extent 6, which i've always maintained is for those too old for xfm but who don't feel quite ready to make the jump to 2 anyway and must have like .5% reach anyway.

and, and, wouldn't a better comparison be between these and capital or virgin's A list. if it happens that, at this particular moment in pop time, the guitar-based is in the ascendancy, is that a problem? the dancey/hiphoppy/poppy will rise again, it's inevitable...

[byebyepride.livejournal.com]

Obviously the methodology of this is v. tenuous. I think I'm interested in trying to track three phenomena:

1) 'the tyranny of cool' that Marcello complained about on the ILX ToTP thread: I think the middleground where radio 1 and 2 meet does suggest a certain complacency about what 'proper' music is. BUT Radio 2 (and not radio 1) are playing e.g. reality tv pop, and Ronan Keating. i.e. stuff which could be perceived as teenpop, although given the Keating record is a duet with Kate Rusby, this is all pretty much 'something for the mums' now, I guess. What's considered 'naff' is pushed to the margins of radio 1 i.e. specialist dance shows, but resurfaces whenever they have request shows: suggesting that although they construct the playlist in terms of 'what people want to hear' (this is the reason for not playing high charting records if they don't fit with the station ideology, the grounds being that the record buying public is ATYPICAL of their 12 million listeners) what people might actually want to hear would be 80s and 90s pop and indie. The hybrid of populism and trad rock values is what puzzles me.

2) I'm curious as to how the BBC justifies their position: i.e. presumably the target audiences for these stations are quite distinct. Clearly the music on Radio 2 is not the main aim of the station, although their smaller A-list gets 20 plays a week, which matches the Radio 1 list (also 20 plays). I assume that there is not a conspiracy to position all three stations across the middle ground, so it seems as if individual playlist teams are all opting to consolidate an imaginary central position. The question is: is this an accurate reflection of what people would or might want to listen to, or produced by the management of listening, and by perceived anticipations of people's tastes.

3) And yes, the third is the extent to which certain types of music -- particularly urban and dance -- are moved to the edges. A dialectical view of culture would suggest that as Steve says, they will rise again: and as I've argued before, I think this will happen sooner rather than later.

Lily Allen stands out a bit: but I think her example suggests that music is being made and sold specifically in order to hit all three markets at once, i.e. the forms of distribution will impact on production. If that means radio 2 pop crossing back over into radio 1 market, or at least an awareness of some of the different histories of popular music (other than the rock-line) re-emerging in the 'centre', this could be an interesting thing to watch.

And if someone wants to track the relationship between the commercial radio chains and the BBC playlists that would be interesting too!

[carsmilesteve.livejournal.com]

haha, nevermind, it looks like pop really has eaten itself (http://www.popjustice.com/index.php?option=com_content&task=view&id=146&Itemid=9) this time...