ext_281244 (
freakytigger.livejournal.com) wrote in
poptimists2007-02-01 10:41 am
Entry tags:
Jop Tournament Round 1.3
These are the other polls that should have gone up yesterday - today's fites will be up this afternoon (at about 3, if you're desperate!)
[Poll #918380]
I won't finalise the results until this round is over, but it looks like both Madonna songs, "1999", "Temptation" and the Missy record are all through.
[Poll #918380]
I won't finalise the results until this round is over, but it looks like both Madonna songs, "1999", "Temptation" and the Missy record are all through.

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Kelly C is 21, Jacko is 13, Prince is 29. (Missy was 5, incidentally).
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Jacko vs MIA: Not even a contest - Jacko sounds so hungry on this.
Prince vs Sledge: Very tough - not my favourite Sledge track, not my favourite Prince. I went for Sledge as R Beret is a bit too power-pop (does that even make sense?)
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MIA surprisingly easy over Jacko - this isn't my favourite MJ by quite a way, and hasn't dated all that well, whereas MIA still, even after everything, sounds a bit like the future
Sledge because Prince has been repped for enough, and will be repped for well in the future.
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(1) PoptiBrits perceiving SUBG as mainstreamish pop-rock showbiz (which it is); AmeriPopts perceiving it as Max-Luke teenpop (which it is)?
(2) AmeriPopts perceiving "Milkshake" as striking but not different in kind from a whole mass of r&b/hip-hop heavy sex sell tracks, albeit "tough attitude" division? PoptiBrits perceiving "Milkshake" as the essence of great American r&b/hip-hop attitude and artistry? [Britain less saturated in this stuff, more likely to celebrate it when it crosses.]
Fwiw, I think "Milkshake" is arresting but find Kelis's haughtiness overbearing and kinda bullshit (which doesn't mean I'd not have voted for "Milkshake" against many other opponents). But then again, I need to take account of the Boney Joan Rule ("Any reason I give for liking a piece of music will be a reason I give for disliking some other piece of music; e.g. I love Liz Mitchell's clear and empty vocals with Boney M, and I dislike Joan Baez's clear and empty vocals." I love Paris's haughtiness, have problems with Kelis's haughtiness. So I need to think further on the Paris-Kelis issue, but I won't today.) Xhuxk complains about "Since U Been Gone" being too generic, and I can see why someone might react to it with a shrug; I love its way of going low-to-high while maintaining the richness of the low tone all the way. Feels kinda hair metal. And has a wonderful Luke melody (if it's Luke not Sandberg who's mainly responsible for the melody).
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I assume the British thing is a guitars/not guitars issue.
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(Anonymous) 2007-02-01 04:54 pm (UTC)(link)no subject
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(Not sure that the being less saturated thing works - I'm as saturated in sex-r&b as most American poptimists and I still think 'Milkshake' stands out.)
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I suspect that this is correct, but the key phrase is "for all that UK poptimists are concerned." Fact is that Kelly and Kelis have each had four Top 10 hits in the U.K., and my guess is that if complete U.K. radio play numbers were added together, Kelly's "Because Of You" would far out-total "Since U Been Gone."
You're right that Kelis's visibility in the U.S. is smaller than Kelly's. Btw, I do think that U.K. Poptimists would quite like "Miss Independent," which reached #6 on the U.K. charts back in 2003. Very dance-pop.
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The question is
the answer is
Re: The question is
Confession
Which is a shame as I ended up voting against all the Prince songs I really like, albeit with a heavy heart.
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This was a tough round.
1. "Since U Been Gone" holds up better and was more influential and is just a genuinely better song. Fairly easy tick over "Milkshake" tho that is a great song too.
2. "Don't Stop Til You Get Enough", easy.
3. V. tough choice here, but I went with "We are Family" over one of my less favorite Prince singles of the 80s.
Eek
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Re: Eek
Re: Eek
Re: Eek
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Kelly should be thrashing Kelis.
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